Monday, 8 August 2011

Why did Google launch its cloud service without licences?


I’ve been sitting on a story from BusinessWeek from two months ago when the magazine reported that Google offered the major record labels $100 million to obtain licenses for its new cloud music service, but that one of the reasons that talks broke down was that the labels wanted Google to be more proactive in the fight against digital piracy. Google then launched a cloud locker service – without licences - and the legality of that has yet to be tested in the US courts. It is also interesting that Google filed a Amici curiae brief back in January in support of the defendant in the main case looking at this issue, EMI v MP3Tunes. MP3tunes operates a digital cloud “locker” service and is being sued by the major labels.

CNET asks why the labels would pass up big dollars for antipiracy considerations. Whether the story is true or not, it is clear that the large entertainment companies are trying to pressure Google to make changes – and the news of the new scheme brokered in the USA with the major ISPs means to me that this story makes more sense now. As the top Internet search engine, Google is believed to be in a position to make it more to difficult to find pirated materials online, for example the company's ads are often found on sites accused of trafficking in pirated or counterfeited materials. To be fair, Google has already agreed to a series of changes, and those include booting alleged copyright violators off AdSense, and blocking terms associated with piracy from appearing in the search engine's Autocomplete function, but maybe the record labels and other content providers recent success with ISPs in the USA mean that they are now prepared to take a tougher line when it comes to Google’s current stance.

Read more: http://news.cnet.com/8301-31001_3-20066799-261.html#ixzz1NdejMtcs and see US content industry and ISPs agree to be alert in Music Law Updates, August 2011 www.musiclawupdates.com and see http://the1709blog.blogspot.com/2011/01/cloud-is-future-google-joins-eff-in.html

Capitol Records, LLC. et al v MP3Tunes, LLC., and Michael Robertson
No. 07 Civ 9931 United States District Court Southern District of New York

Friday, 5 August 2011

After Hargreaves: further reflections

After all the Hargreaves hype and hullabaloo (see 1709 Blog posts here and here), further responses to the UK Government responses are fluttering down like leaves from early autumn trees.  Here are a few more copyright-specific responses:


The British Library

The BL: if ever there was a statue
crying out for a witty caption,
it must be this one ...
The BL has welcomed the Government’s response. According to CEO Dame Lynne Brindley,
“The British Library is delighted that the Government has recognised the importance of copyright in the digital age to education and research, and particularly welcomes the recognition of the need for legislation to ensure that hard won copyright exceptions are protected and cannot be overridden by individual contracts. 
Professor Hargreaves’ recommendations are important, as not only do they update many existing provisions in the law so they are fit for purpose in the digital age, but also strongly support innovation and scientific discovery for UK plc as is specifically the case around the proposal for text and data mining.”
Proposals to promote format-neutral research copying exceptions, streamlined rights clearance mechanisms, the digitisation of orphan works, text and data mining and digital preservation are all cited as having "an immediate benefit for research, life-long learning and teaching.


Eversheds (UK-based international law firm)

A media release from Eversheds' Neil Mohring opens with the news that, following a policy review by telecoms regulator Ofcom, the Government announced it was to drop plans to block websites that host copyright infringing material -- a key provision in the Digital Economy Act but not one that endeared the Act to internet service providers which never did like the prospect of having to shut down websites. Adds Neil:
“... it seems that the government is looking at other ways to achieve the same objective and ISPs will remain concerned about the injunction that the Motion Picture Association obtained against BT last week [noted by this blog here]. However the government has to deal with the issue of unauthorised copying if it is committed to the growth of the creative industries. There is little incentive for creators, particularly those in small businesses, if unauthorised copying is not addressed and measures such as the relaxation of the rules regarding parody are merely scratching at the surface".
Neil then turns to format-shifting which, he notes "will have little substantive effect overall. Format-shifting has been occurring for many years without action by the copyright owners, so the proposed changes will merely formalise the current position”.


Federation Against Software Theft (FAST)

FAST General Counsel Julian Heathcote Hobbins takes a positive overall view of the government’s response which, he stresses, shows that "the government clearly understands the importance of intellectual property to the growth of the UK economy and our position globally as a creative and innovative hub". However,
"The decision not to bring forward streamlined site-blocking sanctions to be enforced by Internet Service Providers is a damaging limitation on the arsenal available to tackle piracy. A variety of tools are needed for effective enforcement and this is a worrying retrograde step.The pirates just reposition these sites utilising the internet’s global structure in a game of cat and mouse".
In the same media releas, Beachcroft LLP partner Robin Fry, added that last week's NewzBin2 ruling
"makes it clear that software vendors will still be able to get direct orders against ISPs to block access to file-sharing websites. Such action is likely to be predictable and cost-effective but only after a number of successful applications have been brought where rights holders become familiar with the system”.
He adds that cost is such a significant factor for small and micro-sized organisations when deciding to press their cases that the government decision t drop site-blocking plans "only weakens their position".

FAST concludes by welcoming the principle of a Digital Copyright Exchange -- but it does not see how this proposal could apply to software.

Thursday, 4 August 2011

FRAGILE! Members of the Public

The Solicitors Disciplinary Tribunal has fined two solicitors £20k each and suspended them for three months for sending intimidating letters to people about illegal filesharing, the SRA reports here.

Some litigators may be puzzled to find that the solicitors' crimes included demanding compensation, disregarding protestations of innocence and being interested in making money.

Wednesday, 3 August 2011

Yeeeesssssssss! (yes, some more on the Response to Hargreaves)


Following on from Jeremy’s post earlier, and now that the news that UK Government’s very positive response to Professor Ian Hargreaves' review of IP law is out is not really news at all, I thought I would add some detail to the Response which, as we now know, seemingly accepts all ten of Professor Hargreaves’ recommendations.

The Government say that their goal is to have measures in place by the end of this Parliament that will realise the Review’s vision and deliver real value to the UK economy, and to the creators and users of Intellectual Property saying “the Government announced plans to support economic growth by modernising UK intellectual property laws. Ministers have accepted the recommendations made in an independent review which estimate the potential to deliver up to £7.9 billion to the UK economy”. You can read the response in full here (pdf download) http://www.ipo.gov.uk/ipresponse as well as a letter from UK Business Secretary Vince Cable to stakeholders saying that consultation will begin this autumn.

The Response covers a number of topics (I haven’t covered patents and design rights in this Blog) and even suggests a new name for the Patents County Court along with a new ‘small claims’ track for IP (something that may have come out of the SABIP review of IP law). The only seemingly negative response for content owners is that site blocking legislation will not be brought in, although in light of the decision in Newzbin2 this may not be of such concern. Anyway, to précis the Response, and using the Reponse’s headings:

“Intellectual Property is important to growth”
The Government accepts the Review’s overall conclusion that IP is important to growth and that IP laws are, in some cases, obstructing growth. The Government is particularly concerned to reduce barriers to creating viable IP-using small firms, whether in existing industries or in new niches. IP is intensely valuable to the UK; that value can be increased if we act effectively now and will decrease if we do not.

The IP framework is falling behind and must adapt”
The Government shares this concern. There is a constant need for the IP system to adapt to new forms of innovation, creativity and technology, but that need is now particularly marked in copyright because technology has made copying and communicating many works very easy and created opportunities for the widespread and efficient use of digital content. As the Review notes, the advent of 3D printing may herald a time where copying material objects becomes similarly straightforward. Cloud computing and the ‘internet of things’ are based on ever-increasing flows of data. There are implications here for privacy and security that go far beyond IP but have a bearing on future public policy, IP included.

“Evidence should drive policy”
Fundamentally, the Government agrees with not only the Review’s headline conclusion but also with its underlying critique: too many past decisions on IP have been supported by poor evidence, or indeed poorly supported by evidence To deal with the first issue, the Government has strengthened the IPO’s economics team and begun an ambitious programme of economic research with partners. The IPO will publish its research programme for the coming year, including work in response to the Review, in Summer 2011. The fundamental issue however is that key data is held by business and other organisations. IPO will work with those organisations to help them offer good-quality evidence; our challenge to them is to do so.

“A digital copyright exchange will facilitate copyright licensing and realise the growth potential of creative industries”
The Government agrees it is right to help develop effective markets in copyright licensing where they are not emerging spontaneously. We believe a Digital Copyright Exchange (Recommendation 3) has the potential to offer a more efficient marketplace for owners and purchasers of rights, as well as opening up new markets to creators who may not have previously been able to access them.

Consideration is currently being given to how this complex project is best taken forward, and by whom. The Government will announce these arrangements in due course. The person or persons commissioned to lead this work will be asked to:

- facilitate the creation of a viable financial model for the DCE;

- bring together industry partners and sectors of the creative world to create a framework for a distributed rights exchange and the necessary supporting systems to allow a functioning licensing system by the end of 2012; and

- report on progress, by the end of 2011

The Government will work to ensure that Crown copyright materials are available via the exchange and will encourage public bodies to do likewise.

“Further steps to modernise copyright licensing”

Cross-border licensing: The Government welcomes the Review’s identification of opportunities for UK licensing bodies in European moves to improve the operation of copyright licensing (Recommendation 3). An efficient and flexible cross-border licensing framework is essential to the creation of a single EU market for content that smaller firms can readily enter and succeed in. The Government welcomes the European Commission’s initiative in proposing a cross-border licensing framework and will work with UK interests and the Commission to develop proposals that are compatible with current effective licensing models in the diverse industries affected.

Orphan Works: There are opportunities too in respect of so-called orphan works (Recommendation 4). The Government agrees with the Review’s fundamental premise that it benefits no-one to have a wealth of copyright works be entirely unusable under any circumstances because the owner of one or more rights in the work cannot be contacted. This is not simply a cultural issue; it is a very real economic issue that potentially valuable intangible assets are simply going to waste. The Government will this autumn bring forward proposals for an orphan works scheme that allows for both commercial and cultural uses of orphan works, subject to satisfactory safeguards for the interests of both owners of ‘orphan rights’ and rights holders who could suffer from unfair competition from an orphan works scheme.

The role of collecting societies: Copyright collecting societies play a major role in copyright licensing. The Government sees collecting societies as an important part of the UK’s future success whose status would be reinforced by visible adherence to good practice. Like the Review (Recommendation 3), the Government has heard a range of concerns about the operation of copyright collecting societies in the UK and elsewhere: from members on questions of transparency and governance, and from licensees concerning what they see as heavy-handed, misleading or unfair practice in charging for usage of works. The EU is looking at the need for a common standard within Europe, which the Government welcomes; such transparency would be in the interest of UK creators and rights holders. If the UK is going to be a leader in European licensing, we will need also to be a leader in good practice. This is particularly true if we are to introduce an orphan works or extended collective licensing regime. The Government will publish minimum standards for voluntary codes in early 2012 and consult with collecting societies on
their implementation.


Copying should be lawful where it is for private purposes, or does not damage the underlying aims of copyright”
There is a fundamental role for copyright in providing appropriate incentives for the creation of valuable works. The Government has no intention of prejudicing this role, on which much value for the UK depends. We nonetheless believe the Review is right to identify activities that copyright currently over-regulates to the detriment of the UK, and to propose changes to tackle the problem (Recommendation 5). the Government agrees with the Review’s central thesis that the widest possible exceptions to copyright within the existing EU framework are likely to be beneficial to the UK, subject to three important factors:

- That the amount of harm to rights holders that would result in “fair compensation” under EU law is minimal, and hence the amount of fair compensation provided would be zero. This avoids market distortion and the need for a copyright levy system, which the Government opposes on the basis that it is likely to have adverse impacts on growth and inconsistent with its wider policy on tax.

- Adherence with EU law and international treaties.

- That unnecessary restrictions removed by copyright exceptions are not re-imposed by other means, such as contractual terms, in such a way as to undermine the benefits of the exception.

The Government will therefore bring forward proposals in autumn 2011 for a substantial opening up of the UK’s copyright exceptions regime on this basis. This will include proposals for a limited private copying exception; to widen the exception for non commercial research, which should also cover both text- and data-mining to the extent permissible under EU law; to widen the exception for library archiving; and to introduce an exception for parody.

Building future-proofing into the legislative and regulatory framework…”
The Review recognises that the UK’s scope for action on copyright exceptions is limited. It makes the case for broader changes at the EU level in order to enhance economic growth now and – through building in adaptability to new technologies – in the future. In the Review’s judgement, and the Government’s, there is a need for a wider set of exceptions at EU level to achieve this, again without prejudice to the provision of appropriate incentives for creation of works (Recommendation 5). The Government will aim to secure further flexibilities at EU level that enable greater adaptability to new technologies including use of data for research. We support a review of relevant EU legislation to this end and will be in dialogue with European partners to identify how this can best be achieved. IPO will make the removal of EU-level barriers to innovative and valuable technologies a priority to be pursued through all appropriate mechanisms.

“Effective enforcement requires education, effective markets, an appropriate enforcement regime and a modern legal framework…”

An effective IP enforcement regime – and the UK’s is one of the best in the world – is a necessity for any advanced economy. The Government shares the Review’s perspective that intellectual property rights (IPRs) cannot fulfil a useful function unless they are enforceable:
- There is a fundamental reason to ensure that valuable IPRs are enforceable, and
- where society - both users and owners - acknowledges in practice that the enforcement of rights is uneconomic or unreasonable, for example over private copying, these should ideally be taken out of scope of the IP system through properly limited exceptions. Otherwise respect for legitimate enforcement is diluted.

With the Reponse saying:

- Action against IP crime will remain a priority
- Serious organised crime will be the leading priority within finite public resources
- Content owners should continue to inform, educate and guide consumers
- Government and public sector enforcement bodies will work with industry, with a particular focus on supporting efforts to develop new legitimate digital markets, tackling organised IP crime and enhancing the availability of high-quality evidence.
- it would be desirable for Ofcom to begin establishing benchmarks and data on trends in online infringement of copyright as soon as possible.
- The Government is publishing alongside this document a cross-government IP Crime Strategy that commits us to better coordinated action to make the most of scarce resources, including on online infringement of copyrights and trade marks. Progress on the strategy will be reported in annual IP Crime reports from summer 2012 onwards.
- The Government is also publishing today a statement setting out how it plans to move forward with implementation of the Digital Economy Act initial obligations, following a successful defence of the Act’s provisions in judicial review. Following the judicial review ruling, the Government is removing the obligation on internet service providers (ISPs) to contribute towards the costs of Ofcom and the independent appeals body in setting up and administering the regime (bit not other costs). The Government has received further advice from Ofcom on the potential costs of the DEA appeals system, which we are publishing today. In order to minimise the risk of the system being disrupted by vexatious or non bona fide appeals, we are introducing a £20 fee for subscribers to appeal. The fee will be refunded if the appeal is successful.
- The Government will, subject to establishing the value for money case, introduce a small claims track in the Patents County Court for cases with £5000 or less at issue, initially at a low level of resource to gauge demand, making greater provision if it is needed. It may also rename the Court the Intellectual Property County Court.
- Following advice from Ofcom - which the Government is publishing today - site blocking will not be brought forward at this time. However, the Government is keen to explore the issues raised by Ofcom’s report and will do more work on what other measures can be pursued to tackle online copyright infringement.

“Creating an IP framework which adapts to changes in technology and markets requires changes to the IPO…”
The Government is committed to policies based on sound evidence and to the transparent operation of public bodies. The Review found past decisions on IP did not always live up to this standard, apparently influenced by strong lobbying from interested parties. The Government believes it is important to avoid not only the fact but also the appearance of bias and therefore believes there is a good case for change to the IPO that will support more evidence-based decisions in future. The Government will explore options for a future role for IPO that involves a strengthened focus on innovation and growth, a greater emphasis on publicly available evidence, enhanced ability to promote competitive markets whilst retaining Ministerial oversight of IP policy; and will bring forward these proposals by the turn of the year (i.e. late 2011 or early 2012).

http://www.ipo.gov.uk/ipresponse-full.pdf

"Yes, yes, yes ...": the UK Government responds to Hargreaves

Today's proposals: more
'ups' than 'downs'?
I've not yet had a chance to read carefully through today's UK government's response to the Hargreaves Review, Digital Opportunity, which was published this May.  The response is the subject of a themed web page on the UK's Intellectual Property Office website, which also gives details of a separate proposal for improving the government's so-far inadequate approach to dealing with IP crime. The response document is 24 pages in length, covering areas of IP as well as copyright.  A short summary of its copyright proposals is contained in this morning's press release:
"Sweeping intellectual property reforms to boost growth and add billions to the UK economy
The Government today announced plans to support economic growth by modernising UK intellectual property laws. Ministers have accepted the recommendations made in an independent review which estimate a potential benefit to the UK economy of up to £7.9 billion.

The recommendations were made in May 2011 by Professor Ian Hargreaves in his report, - ‘Digital Opportunity: A review of intellectual property and growth’. Modernising intellectual property law is a key action from the Government’s Plan for Growth, published in March alongside the Budget, which will help create the right conditions for businesses to invest, grow and create jobs. ...

Among the recommendations that have been accepted are:
  • The UK should have a Digital Copyright Exchange; a digital market place where licences in copyright content can be readily bought and sold. The review predicted that a Digital Copyright Exchange could add up as much as £2 billion a year to the UK economy by 2020. A feasibility study will now begin to establish how such an exchange will look and work. The Government will announce arrangements for how this work will be driven forward later in the year. 
  • Copyright exceptions covering limited private copying should be introduced to realise growth opportunities. Thousands of people copy legitimately purchased content, such as a CD to a computer or portable device such as an IPod, assuming it is legal. This move will bring copyright law into line with the real world, and with consumers’ reasonable expectations. 
A copyright exception may allow this parody,
but it's not much comfort if there's still
a risk of trade mark or design infringement
 
  • Copyright exceptions to allow parody should also be introduced to benefit UK production companies and make it legal for performing artists, such as comedians, to parody someone else's work without seeking permission from the copyright holder. It would enable UK production companies to create programmes that could play to their creative strengths, and create a range of content for broadcasters. 
  • The introduction of an exception to copyright for search and analysis techniques known as 'text and data mining'. Currently research scientists such as medical researchers are being hampered from working on data because it is illegal under copyright law to do this without permission of copyright owners. The Wellcome Trust have said that 87 per cent of the material housed in the UK's main medical research database is unavailable for legal text and data mining, that is despite the fact that the technology exists to carry out this analytical work. 
  • Establishing licensing and clearance procedures for orphan works (material with unknown copyright owners). This would open up a range of works that are currently locked away in libraries and museums and unavailable for consumer or research purposes. 
  • That evidence should drive future policy - The Government has strengthened the Intellectual Property Office's economics team and has begun a programme of research to highlight growth opportunities. One report has already shown that investments made by businesses in products and services that are protected by intellectual property rights (IPRs) are worth £65 billion a year. ..".
The 1709 Blog expects that it won't be long before readers' comments will be arriving. A follow-up post is planned, bringing news of some reactions from interested parties on all sides of the continuing copyright debate.

A Rose by Any Other Name

No matter what you call it or how you try to frame it, internet streaming is internet streaming.

rose with raindropZediva tried to claim otherwise, setting up a rather elaborate system that attempted to get around the copyright law requirements for licensing movies streamed over the internet.  A lot of times this is how the law is figured out, attempts to get around it lead to law suits and court-issued clarifications.  (See the Napster/Grokster/Limewire string of cases.)  But in this case, the Zediva folks missed an important part of copyright law history, and the District Court for the Central District of California issued an injunction.

How Zediva tried to avoid licensing fees

First, I want to acknowledge that I was not able to locate a copy of the decision so my information is coming from various news sources, all listed at the end of this post.

Zediva set-up the service to mimic a video rental store.  Users rented a dvd that Zediva had purchased and the dvd was played in a remote dvd player also purchased by Zediva and shown to the customer via the internet.  One article mentions that users would sometimes get messages that movies were out of stock.  I’m guessing this occurred when customers had rented out all of the DVDs Zediva had purchased of that film. 

Rather than finding this system as a way of remotely renting purchased DVDs, the court found that this was just an annoyance and potential source of confusion for customers learning about video streaming. 

Zediva wasn’t paying licensing fees, trying to rely on the first sale doctrine saving their rental model.  But, as one law professor pointed out, Zedvia seemed to have missed the case where renting a video to be watched in a booth inside the store was infringement.  (That case was Columbia Pictures Indus. v. Redd Horne, Inc. from 1984.)  Even if Zediva could persuade the court that it was renting and not streaming movies, the facts are more similar to Redd Horne than to a regular video rental store.

However, the court did not buy the rental concept and instead found that Zediva was transmitting the performance to the public and thus infringing copyright.  Wonder if they’ll be another attempt at a work around…

Media Post News: http://www.mediapost.com/publications/?fa=Articles.showArticle&art_aid=155164

Read Write Wed: http://www.readwriteweb.com/archives/citing_copyright_law_judge_orders_movie_streaming_service_shut_down.php

CNET: http://news.cnet.com/8301-31001_3-20050579-261.html?tag=mncol;2n

Tuesday, 2 August 2011

Waiting for the Cable News

There have been numerous press articles recently on what the Government will and won't be picking up from Professor Ian Hargreaves' review of intellectual property law (nice to know it's still of interest!) but the main two topics that seem to be the most likely subjects for reform are formalising a right of parody and providing for a private copying right.

The 'parody' exception will be something (I presume) akin to an extended fair dealing or fair use right, and it seems the most likely reform. Almost all of the articles I have read mention the (in)famous 'Newport State of Mind' spoof of 'Empire State of Mind' by Jay-Z and Alicia Keys - performed by unsigned rapper Alex Warren and singer Terema Wainwright and pulled from YouTube after a takedown notice from EMI Music Publishing - to much knashing of teeth in the cyber community. Most comment is that the 'YouTube' amendment will be accepted by Government as a reform.

The introduction of a private copy right in the UK would be more complex - and whilst giving citizens the right to make private copies of CDs or otherwise format shift does seem to make sense in the digital age, content owners including the major and big indie record labels and film companies are likely to push for compensation - and possibly (the very un-British) introduction of some kind of levy on digital music players and other hardware, similar to the levy systems that exist in many European countries where the private copy right has been part of the copyright landscape.

I would have thought that new provisions for non-commercial research and library archiving stand a fairly good chance too, but the European dimension is going to make the task a challenging one with some of Professor Hargreaves's other recommendations.

UK Business Secretary Vince Cable is due to make the announcement tomorrow. Watch this space

Photo by Nick Cordes (c) 2008 Glastonbury Festivals Ltd

Monday, 1 August 2011

New books, special prices for 1709 Blog readers

Edward Elgar Publishing have a special offer for 1709 Blog readers regarding four of their latest titles.  You can view the official PDF of the offer here or download it here. The gist of it is that the following titles are available at a 35% discount -- so long as you order by 31 October 2011, when the offer closes:
Copyright Law and the Progress of Science and the Useful Arts 
Alina Ng, Mississippi College School of Law, US 
The American Constitution empowers Congress to enact copyright laws to ‘promote the progress of science and the useful arts’. This book offers the first in-depth analysis of the connection between copyright law as a legal institution and the constitutional goal of promoting social and cultural advancement. 
Oct 2011 c 168 pp Hardback 978 1 84980 781 4 c £65.00
Discount price £42.25 + carriage charges
e 978 1 84980 782 1
Elgar Law, Technology and Society series


Copyright in the Information Society: A Guide to National Implementation of the European Directive 
Edited by Brigitte Lindner, Rechtsanwältin, Member of the Bar of Berlin/Germany,
Registered European Lawyer, Lincoln’s Inn, London and Ted Shapiro, Attorney
(Massachusetts Bar)/Solicitor (England and Wales - non-practising), Brussels 
Celebrating the tenth anniversary of the Directive 2001/29/EC on copyright in the information society, this book sheds new light on an important European legal instrument at a crucial stage – not only in the life of the Directive, but indeed for copyright itself. 
Aug 2011 c 648 pp Hardback 978 1 84980 010 5 £140.00
Discount price £91.00 + carriage charges
e 978 1 78100 113 4

Copyright and Creativity: The Making of Property Rights in Creative Works 
Andreas Rahmatian, University of Glasgow, UK 
‘Professor Rahmatian is perhaps uniquely placed to offer a complete rethinking of the nature and
function of copyright. Working with original materials in original languages, he spans the continental and common law traditions in a breathtaking synthesis of the varied justifications and uses (or misuses) of the concept of creativity as property' – Paul J. Heald, University of Georgia, US 
Aug 2011 c 328 pp Hardback 978 1 84844 246 7 79.95
Discount price £51.96 + carriage charges
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Copyright, Communication and Culture: Towards a Relational Theory of Copyright Law 
Carys J. Craig, York University, Canada 
In this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. 
July 2011 288 pp Hardback 978 1 84844 839 1 £65.00
Discount price £42.25 + carriage charges
e 978 0 85793 352 2"
To order any of these titles, or for further information, do contact the Sales & Marketing Department, Edward Elgar Publishing Ltd, The Lypiatts, 15 Lansdown Road, Cheltenham, Glos GL50 2JA, United Kingdom (Tel: + 44 1242 226934; Fax: + 44 1242 262111); website www.e-elgar.com, email info@e-elgar.co.uk

Please quote code 351709 when ordering