Showing posts with label ISP liability. Show all posts
Showing posts with label ISP liability. Show all posts

Thursday, 28 February 2013

More on blocking injunctions...

Further to Ben's post last week that BPI is taking legal action to force internet service providers to block access to three more file-sharing websites, today the High Court handed down its decision in EMI & Others v BSkyB & Others in which the UK's six main retail ISPs were ordered to block access to three file sharing websites.

This judgment comes as no great surprise given Arnold J's similar decisions in Newzbin, Newzbin 2 and The Pirate Bay, however it makes it clear that use of s.97A CDPA to get a blocking order is now a viable option for rightsholders trying to prevent access to illegal file sharing sites. Arnold J's decision also contains an interesting discussion on jurisdiction which is often a difficult issue in online cases.
The websites in question were KAT, H33T and Fenopy, all music file-sharing websites. Arnold J first discussed the website users' infringements and the website operators' infringements.

The website users (the uploaders)
It was clear to Arnold J that the websites users' activities constituted both copying and communication to the public.

As regards communication to the public, Arnold J split the issue into three questions:
1. Do users of the websites, who are uploaders, communicate the Claimants' sound recordings to the public?

He held that they did, as they "make the recordings available by electronic transmission in such a way that members of the public may access the recordings from a place and at a time individually chosen by those members of the public."
2. Do such users communicate the recordings to a new public applying the criteria identified in Societá Consortile Fonografici v Del Corso?

In that case, the CJEU held that the broadcasting of sound recordings within private dental practices was not communication to the public for the purposes of Article 8(2) of the Related Rights Directive because the patients constituted a determinate circle of potential listeners, who only heard the recordings one at a time; that the patients attended for the purposes of dental treatment and had no choice over the recordings they listened to; and that the broadcast was not of a profit-making nature.
In the present case Arnold J held that users do communicate recordings to a new public as the users intervene, in full knowledge of the consequences of their actions, to give others access to the works. The recordings are made available to all other users of the websites and although the uploaders didn't directly make money from uploading, they would do so indirectly by downloading other users' music without paying.

3. Does the act of communication to the public occur in the UK?
Arnold J found that where the uploader was located in the UK, communication to the public occured in the UK. He was more doubtful as to whether the same would be true if the downloader was located in the UK. However as in this case the uploaders were in the UK he avoiding having to give a conclusive answer as regards the location of downloaders.

He referred to Football Dataco Ltd v Sportradar Gmbh in which the CJEU held that "re-utilisation" of data held in a database occurs at least in the state of transmission. Arnold J clarified that this should not be interpreted to mean that re-utilisation cannot also occur in the state of emission. He held: "Furthermore, this reading would be consistent with the natural meaning of "making available". It would be odd if this did not include the place of origin." On that basis Arnold J accepted the Claimants' argument that where a communication to the public which originates outside the UK is received inside the UK, the act will be treated as occurring within the UK if the communication is targeted at the public in the UK.
So Arnold J concluded that the users of the websites did communicate works to the public.

The website operators
The question of whether the operators of the websites made copies of the works was not considered. In considering whether the operators of the websites communicated the works to the public, Arnold J again split his analysis into three questions.

1. Do the operators of the websites communicate the Claimants' sound recordings to the public?
Arnold J found that in this instance there was no material distinction between Newzbin 1 and the websites in this case: the defendant had intervened in an active manner to make the films available, therefore the operators of the websites did communicate the Claimants' recordings to the public by electronic transmission.  

2. Do the operators communicate the recordings to a new public?
Arnold J held that they did as they intervened, in full knowledge of the consequences of their actions, to give others access to the works. The recordings were made available to all the users of the websites and the operators benefited financially from their activities.

3. Does the act of communication to the public occur in the UK?
In considering this question Arnold J took into account the CJEU's decisions in Pammer v Reederei Karl Schlüter GmbH & Co. KG and Hotel Alpenhof GesmbH v Heller; L'Oréal SA v eBay International and Donner. In doing so he found that the websites were targeted at the UK as:

- there were a large number of users of each website in the UK;
- a substantial proportion of the visitors to each website was from the UK;

- the recordings listed on each of the websites included large numbers of both (a) recordings by UK artists and (b) recordings that are in demand in the UK; and
- the default language of each of the websites was English.

In addition, KAT included advertisements with prices in sterling. On that basis Arnold J found that KAT was reasonably clearly targeted at the public in the UK but that the position was less clear in the case of H33T and Fenopy. In any event he reached the same conclusion in respect of all three: the act of communication to the public occurs in the UK.
Authorising and Joint Tortfeasorship

Further, Arnold J found that the website operators authorised the users' infringement of copyright. He said that the website operators went "far beyond merely enabling or assisting", they sanctioned, approved and countenanced the infringements of copyright committed by their users and purported to grant users the right to copy and communicate the works to the public. Further, as the operators profited from their activities they were also jointly liable for the users' infringements.
Conclusion

As both the users and the operators of the websites used the Defendants' services to infringe the Claimants' copyright, and as the Defendants had actual knowledge that users and the operators of the websites used the Defendants' services to infringe copyright (this was not denied), Arnold J was satisfied that granting blocking orders was a proportionate remedy. He concluded by saying that:

"The orders are narrow and targeted ones, and they contain safeguards in the event of any change of circumstances. The cost of implementation to the Defendants will be modest and proportionate."

Monday, 20 February 2012

Pirate Bay "a stronger case" of infringement than Newzbin

Dramatico Entertainment Ltd & others v British Sky Broadcasting Ltd & others [2012] EWHC 268 (Ch) (20 February 2012) is today's big British copyright news. Mr Justice Arnold, sitting in the Chancery Division, England and Wales, gave judgment. This blogger hasn't yet had a chance to read the details, but this is how Music Week saw the ruling:
"The UK record industry has today claimed a major victory in its fight against the Pirate Bay - with the High Court recognising that the site's owners and users are operating illegally.

Claimants represented by the BPI - including Dramatico, EMI, Polydor, Rough Trade and Warner - argued that the UK's leading six Internet Service Providers should block the filesharing site. Defendants including BT, TalkTalk, Sky and Virgin Media did not attend the hearing and were not represented.

In a written [84 paragraph] judgment handed down earlier today, Mr Justice Arnold ruled that "both users and the operators of TPB infringe the copyrights of the Claimants (and those they represent) in the UK". He added [in paragraph 81]: 
"In my judgment, the operators of TPB do authorise its users' infringing acts of copying and communication to the public. They go far beyond merely enabling or assisting. On any view, they 'sanction, approve and countenance' the infringements of copyright committed by its users. But in my view they also purport to grant users the right to do the acts complained of. It is no defence that they openly defy the rights of the copyright owners. I would add that I consider the present case to be indistinguishable from 20C Fox v Newzbin [here] in this respect. If anything, it is a stronger case". ...
A further hearing is now set for in June to decide which ISPs should block the site, and how".

Wednesday, 28 December 2011

Italian Courts find 'active hosting liability' for ISPs


Our good Friend from the City University, Dr. Enrico Bonadio, has kindly sent us details of the link to a brief case note which Enrico co-authored with his colleague Mauro Santo, and which has been published in the Journal of Intellectual Property Law & Practice.

As Enrico explains "It is a comment of two decisions of the Court of Milan in case of copyright liability of Internet Service Providers: In June and September 2011 the Court of Milan released two interesting decisions in the field of liability of Internet Service Providers for copyright infringement committed by their users. In particular, the Court found that the Internet Service Providers Italia On Line and Yahoo! Italia were liable for copyright infringement in connection with the uploading of several videos on their platforms and that they could not rely on the hosting provider exemption under the E-Commerce Directive. The two decisions are particularly interesting as the Court of Milan ‘created’ from scratch a new category of internet service provider liability: so-called active hosting liability."

If you want more on this topic, you need to take a look at the ever excellent Journal of Intellectual Law & Practice

This is the SSRN link: http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1977431

For a Spanish take - and a rather different approach - have a look at http://www.billboard.biz/bbbiz/industry/legal-and-management/is-pablo-soto-spain-s-p2p-robin-hood-or-1005743952.story with the Spanish courts finding no liability for software developer Pablo Soto for the in fringing uses made of his software - as Spain's new Government struggles to implement the so called "Sinde" law it inherited from the previous government in the face of public opposition.

Saturday, 24 July 2010

Smoking pipes and other copyright tales


To the USA first, where the Recording Industry Association of America (RIAA) have announced that they will appeal a federal judge's reduction of a file-sharing copyright damages award from $675,000 to $67,500 in the Joel Tenenbaum case. The original award ordered the Boston University student to pay $675,000 in copyright infringement damages for sharing 30 songs online. Earlier this month, U.S. District Judge Nancy Gertner ruled that amount unconstitutionally excessive, and reduced it by 90%. Similarly the copyright infringement damages award of $1.92 million that a jury ordered defendant Jammie Thomas-Rassett to pay has been reduced $54,000, although that case appears headed for a new trial on the issue of damages.

An to Germany for another turnaround: In Dusseldorf the appellate court has overturned a lower court's order that free file-hosting service Rapidshare must install a keyword filter to block the sharing of copyrighted media. The lower court issued a preliminary injunction against Rapidshare last year, after film distributor Capelight Pictures sued the site when copies of its "Insomnia" and "Inside a Skinhead" movies were made available for download from the service. The lower court ordered Rapidshare to filter words such as "insomnia" and "skinhead". The Higher Regional Court of Dusseldorf has now ruled that more advanced filter that used full film titles cannot be used - noting that the words could wrongfully remove users' private copies of the films, which are permitted under German law. The court also said Rapidshare is not obligated to pursue those who distribute links to unauthorized files hosted on it service.

Finally to Eire where Irish ISP UPC has said that it will continue to “vigorously” defend itself against liability proceedings taken against it in the Eire's courts by content owners. The company is the latest in a series of ISPs to take issue with copyright holders' insistence that they police customers' Internet traffic. Ireland's biggest ISP, Eircom, was successfully taken to court by the IRMA (Irish Recorded Music Association) and is currently sending warning letters to customers who have allegedly infringed copyright through illegal downloading using the IP addresses of alleged infringing customers which are supplied by IRMA. UPC said that it does not condone piracy, but considers that "there is no basis under Irish or European law requiring an ISP to monitor or block subscriber traffic on its network" – although in France and the United Kingdom there are the new, and much criticised, "three strikes" laws – the French HADOPI law and the Digital Economy Act in the UK – the French law has already faced legal challenge and as previouslt reported, the UK law is about to face a judicial review.

http://www.zeropaid.com/news/90025/riaa-appeals-reduction-of-tenenbaum-p2p-judgment/
http://arstechnica.com/tech-policy/news/2010/07/german-court-overturns-injunction-against-rapidshare.ars
http://www.pcworld.com/businesscenter/article/201767/isps_battle_against_threestrikes_rule_throughout_eu.html

Wednesday, 21 July 2010

The Pirates launch a ghost ship


Well, in yet another twist in the ongoing saga of The Pirtate Bay, it seems the political 'wing' of the 'movement' has a new wheeze. Having had a number of court judgments ordering ISPs to block access to the rogue bit-torrent tracker site and/or give up details of users who infringe, now we have an all new gleaming pipe that allows anyone to connect with anything - courtesy of - ahem (and drum roll pelase) THE PIRATE BAY!

The Inquirer describe the new service thus "The Pirate Party has created an ISP, dubbed PirateISP, based in the Southern [Swedish] city of Lund, a place well known for its 42,000 academic community, and will provide high speed internet connections to the anonymity seeking masses". The new service appears to undercut local rivals by about 50%.

PSFK says this "the Pirate Party looks to refashion Internet privacy regulations by starting an anonymity-based ISP. By cloaking online activities, the progressive group aims to advance their political mission to ensure that citizens’ rights to privacy are respected. Henrik Pontén, the Swedish Anti-Piracy Bureau agent who led the raid against The Pirate Bay, indicated that police requests for Internet activities from ISPs must be lawfully fulfilled. However, Pirate Party’s ISP intends to keep no logs of online activities to give out" adding "By [the] summer’s end the world will be closely monitoring Sweden’s privacy debacle.

http://www.theinquirer.net/

Friday, 12 March 2010

Telenor: Two battles won, but what about the war?

Readers of this weblog may recall the refusal of a Norway District Court last November to order ISP Telenor to block its customers' access to The Pirate Bay's file-share website (see earlier post on the 1709 Blog here). Well, here's the sequel, supplied by Telenor's legal representatives, the illustrious law firm of Wiersholm, Mellbye & Bech. Read on:
"Background
During the spring of 2009 the music and film industry submitted a preliminary injunction suit before the Norwegian courts, demanding the ISP and telecom provider Telenor would to shut down access to The Pirate Bay website for its customers. The Pirate Bay will be familiar to many readers, it being the Swedish website which allows users to upload, search for, and download torrent files. The BitTorrent-technology allows torrent files to be used for peer to peer file sharing, meaning that the file sharing takes place directly between the downloaders. The Pirate Bay does not store any of the content downloaded by the users of the website.
The Swedish court held that the persons behind The Pirate Bay were guilty of copyright infringement. The Pirate Bay provides a website to the file sharers with “well-developed search features, simple upload and storage” features, and “by arranging contacts” between individual “pirates” through the “site linked tracker”, the Swedish court held that the defendants facilitated and promoted copyright infringements.
The Norwegian injunction case was based on a different fact to that in the Swedish case. In short, the music and film industry claimed that Telenor contributed to illegal copyright infringements by allowing its customers to access The Pirate Bay.
Telenor stated that even though it does not support and has no sympathy whatsoever with copyright infringers in general, and with The Pirate Bay in particular, the mere act of providing the infrastructure of the Internet does not render it liable for copyright infringements such as illegal file sharing. Telenor explained that if it, as an ISP, were to be obliged to block access to The Pirate Bay, it would in principle be obliged to block any other website which is deemed to store infringed content. Telenor further held that the current case is a not another “The Pirate Bay case”, but a case which deals with the fundamental question of Internet censorship.
The findings of the court
In order to obtain a preliminary injunction under Norwegian law, the claimant must substantiate both the merits of the claim (in this case that an infringement takes place), and the grounds for injunction (postponing a regular ruling will cause the claimant substantial inconvenience or financial loss).
The District Court ruled in favour of Telenor and threw out the music and film industry’s application for an injunction in its decision of 6 November 2009. The music and film industry appealed the decision to the Borgarting Court of Appeal. On 10 February 2010 The Borgarting Court of Appeal upheld the decision by the District Court and dismissed the appeal.
The Borgarting Court of Appeal considered the merits of the claim in light of both regulations and case law from the EC and the Nordic countries in addition to the Norwegian legislation. It pointed out that Telenor neither provides internet access to The Pirate Bay, nor does it host The Pirate Bay website. Telenor is therefore a mere provider of technical infrastructure and does not illegally contribute to the illegal file sharing performed by users of The Pirate Bay. The court further stated that the substantive test is not whether or not there is a causal relationship between the service and the infringement, but whether or not Telenor commits an unlawful act by allowing its customers to access The Pirate Bay. The court found that neither article 8.3 of Directive 2001/29/EC nor any Norwegian legislation establish a basis for such a claim. Neither did the court find case law relating to liability for persons deliberately linking to infringed content to be applicable through the use of analogy in cases relating to ISP liability.
Two battles won – but is the war over?
The decision is not yet in force. There is therefore a possibility that the case will be appealed to the Norwegian Supreme Court. Further, since the decision from The Borgarting Court of Appeal is a decision in a case regarding a preliminary injunction, the claimants have the possibility of filing a regular law suit against Telenor.
In Wiersholms’ opinion there is every reason to disapprove of the parasitism of websites like The Pirate Bay, which obviously are designed to facilitate illegal downloading of copyright material. However, we do agree with the courts that there is currently no legal basis for claims such as the one brought on by the music and film industry. Further, Wiersholm disagrees with the music and film industry’s strategy of aggressively pursuing the technical service providers in order to battle illegal file sharing. Such a strategy raises a whole number of principled matters, in particular the then situation of the technical service providers filling the roles as police, judge, and jury. In addition there is the unavoidable fact that if access to The Pirate Bay is blocked, another alternative for illegal downloading will surely exist the morning after.

While this case has served its purpose of being the Nordic test case, the final word in the matter is yet to be said".
Telenor was represented by Wiersholm’s IP litigation team, lead by John S Gulbrandsen and Rune Opdahl. A full-text English translation of the decision is available here and at Wiersholm’s IP and IT law website.

Friday, 5 February 2010

Australian court finds safe harbour for ISPs


Australia's Federal Court has ruled that Internet Service Providers cannot be held liable for copyright infringements committed by their subscribers, dealing a blow to content owners in a closely-watched lawsuit against Australian Internet Service Provider iiNet. Justice Dennis Conroy found that whilst it was shown that iiNet had knowledge that its customers were committing copyright infringement, this knowledge did not equate to "authorizing" the activities ruling “While I find that iiNet had knowledge of infringements occurring, and did not act to stop them, such findings do not necessitate a finding of authorisation. I find that iiNet did not authorise the infringements of copyright of the iiNet users”. The case was brought by AFACT (the Australian Federation Against Copyright Theft) on behalf of a consortium of film and TV companies and centred on the ISP’s liability for illegal file-sharing committed by its customers. AFACT had asked for damages and wanted iiNet to be forced to disconnect any customers it knew were illegally sharing music online. The ISP had refused to forward file-sharing warning notices to its subscribers on behalf of the studios, saying they violated privacy provisions in Australian law. Instead, iiNet had taken to forwarding the notices from copyright holders to the police, along with its own terms and conditions showing it prohibited copyright infringement.

It is now likely that the Australian government will review legislation with a suggested move to enact a three strikes system.

http://www.dmwmedia.com/news/2010/02/04/aussie-court-isps-not-liable-users039-copyright-infringement

Thursday, 12 November 2009

Telenor won't be ordered to block The Pirate Bay, says Norwegian Court

Thanks to Stine Helén Pettersen and Rune Opdahl (Wiersholm, Mellbye & Bech, advokatfirma AS, Oslo), here comes news of a 6 November decision by a Norwegian District Court which concluded that there were no grounds for ordering internet service supplier Telenor to block internet access to The Pirate Bay. According to our informants:
"In June 2009 the music and film industry filed a petition for a preliminary injunction requiring Telenor to block its customers’ access to The Pirate Bay. The Asker og Bærum District Court delivered its decision 6 November in favour of Telenor. The court concluded that Telenor did not unlawfully contribute to copyright infringements that take place by its customers’ use of The Pirate Bay. Accordingly, the court held that that there was no legal basis for ordering Telenor to block access to the website.
Telenor has repeatedly emphasized that it does not support infringements that take place through use of The Pirate Bay. On the contrary, Telenor co-operates closely with rights holders by establishing solutions for legal downloads and streaming of content. The case did not concern the question of whether customers of Telenor infringed copyright by using The Pirate Bay, but whether Telenor -- by granting access to The Pirate Bay -- committed an illegal act.
... In its assessment the court emphasized the unfortunate consequences of imposing blocking obligations on internet service providers. The decision is not yet legally in force. The music and film industry are considering appealing against the decision".
Wiersholm's team of John S. Gulbrandsen and Rune Opdahl, who acted for Telenor in this action, has kindly provided the 1709 Blog with an English translation of the court's decision which you can read here.

Friday, 19 June 2009

Harping on about ISP liability in Ireland

From the IT Law in Ireland weblog of respected Irish scholar TJ McIntyre comes news that, following their inconclusive action against Eircom (see IPKat post here) earlier this year, the music industry is suing internet service providers UPC and BT.

Left: cunningly disguised as an Irish harp, this sophisticated device filters out all downloads so large they can't fit between the strings ...

In the earlier action EMI,SONY BMG, Universal Music and Warner wanted Eircom to install special software to detect the unique “fingerprint” of illegal up/downloaded copyright music files but Eircom refused, saying it was not technically feasible and that it would have interfered with the operation of its network and services.

Says TJ of the current action:
"I believe that litigation demanding that ISPs monitor what their users do and/or disconnect users based on three unproven allegations is unjustified - for the reasons why, see the Digital Rights Ireland site in relation to user monitoring and three strikes".