Showing posts with label secondary liability. Show all posts
Showing posts with label secondary liability. Show all posts

Monday, 28 May 2012

Can Wi-Fi owners be held accountable for users' infringements?

Today Communications Alliance, which is the primary telecommunications body in Australia, published an extremely interesting information paper on the issues being generated by the emergence of Public Wi-Fi Networks in Australia (see the report of ComputerWorld here). 
As stated in the press release, the paper "provides an overview of the current state of the Public Wi-Fi industry in Australia and the legal and regulatory obligations and technical requirements to be considered by existing and new operators of Public Wi-Fi networks." In particular, the paper "looks at the commercial models being employed around such networks, the emergence of new protocols that may significantly boost the capability of Wi-Fi Networks, and end-user issues associated with Wi-Fi connectivity."  
"Public Wi-Fi networks have long been available throughout office environments and public areas such as airports and shopping centres for use as either a free or commercial service for mobile workers, travellers and shoppers, and appear likely to play a larger role in the national ‘connectivity matrix’ in years to come" pointed out the Chair of the Public Wi-Fi Networks Group. However, as explained by Communications Alliance CEO, the technical, regulatory and planning guidelines for Public Wi-Fi networks are not as well defined in Australia as they are for mobile networks.
Indeed, it was not long time ago that the High Court of Australia published its judgment in Roadshow Films v iiNet (on which see the report of the IPKat here). 
However, as noted in Communications Alliance’s paper, pressure on users of fixed networks in relation to the behaviour of end users who infringe copyright via online activities "might continue and be extended to mobile and/or Wi-Fi networks in the future."
In particular,
At present if an end user is identified as accessing prohibited content via a Wi-Fi network then the party with the legal responsibility for identifying the offender has not been tested. Similarly the nature of the interaction between Wi-Fi network operators and service providers with law enforcement agencies (LEAs) has not been tested. This is in contrast to standing arrangements that exist between LEAs and both licensed carriers and [Carriage Service Providers] …
While legal/lawful interception can be done, the associated processes are not standardised in the way they are for tracing (phone) numbers in a licensed carrier network.  Practical challenges on a public Wi-Fi network may include: 
(a) Dynamic address allocation, which hampers usage tracking  i.e. a different IP address is allocated per session, which can make tracking usage by IP address quite difficult. 
Some people prefer to wear discreet disguises
to carry out infringing activities
 in public Wi-Fi areas
(b) The absence of user data on a Public Wi-Fi network  i.e. there is typically no user data retained on public Wi-Fi  networks, unlike in licensed carrier networks.
(c) Permitting anonymous, temporary use, which can be difficult to trace after the event.

This said, the paper recommends that operators use Wi-Fi Protected Access II (WPA2) protocol, which is used for encryption to secure wireless links. This is because "WPA2 is the de facto standard for securing Wi-Fi networks".
This blogger suspects that enforcement via Wi-Fi owners has the potential to quickly become a truly hot topic in the realm of online copyright. Whilst there is not specifically relevant case law in Australia (yet), it may be interesting to note that a few days ago a district Finnish Court ruled that open Wi-Fi owners cannot be held liable for the copyright infringing activities of third parties (see the reports of TorrentFreak and ArsTechnica, and the comment by the Electronic Frontier Foundation).

Monday, 23 April 2012

GEMA v YouTube continued


The GEMA v YouTube case is making quite extraordinary waves. Among other things, the GEMA website was hacked on Friday and has been inaccessible on and off since. The notion that GEMA and the Hamburg judges have got it all wrong appears to be shared by many. In response to my admittedly slightly provocative quip that I did not think anyone actually needed access to any particular YouTube video to lead a happy life, one of our readers has accused me of missing the entire point of the case, arguing that 

"[i]f service providers are required to monitor user activity in this manner, they never would go into business in the first place. YouTube's Content-ID program is supererogatory in the extreme and wasn't available when it started. With this requirement there would be no Google, YouTube, Ebay, Facebook or any other innovative service that involved user generated postings."

This raises an interesting point. I fully agree that the services mentioned might not have been developed if they had had to comply with the standards set by the Hamburg judges in GEMA v YouTube. However, I am pretty sure many industries would never have developed if they had had to comply with today's health and safety standards, but that does not necessarily mean that current health and safety standards should be abolished. 

The secondary liability concept of "Störerhaftung" that the court applied asks whether there is a duty of care in any particular situation and, provided there is, if that duty has been breached. A duty of care is only assumed to the extent that it can be reasonably expected. Something that is impossible cannot be expected; something that is economically unfeasible can only be expected in extreme circumstances. 

For instance, it would be excessive to expect supermarkets to have all their vegetables tested for e.coli before selling them. Similarly, YouTube is not expected to monitor all videos before they are uploaded. Once a supermarket has been informed that its sprouts are contaminated with e.coli, though, it can reasonably be expected to destroy those sprouts. If possible, it must also make sure that its supplier's sprouts are e.coli-free before selling any more of that particular supplier's sprouts. Similarly, upon being informed by the right holder of clearly infringing content, YouTube is expected to take down that content immediately (and not after more than six weeks, as happened in the case at hand). It is also expected to use its Content ID program and word filters to monitor for future identical infringements, since that is both technically possible and economically feasible these days. It does not matter if something was technically impossible or economically unfeasible ten years ago as long as it can be done today. 

I know GEMA is one of the pet hates of many people, and there are certainly issues, for example whether the system for distributing royalties is fair, that are worth addressing. Before leading a revolution in the name of Internet freedom, though, maybe people should ask whether their reaction to the judgment would be same if the claimant had not been GEMA but a musician who is trying to generate advertising revenue from streaming her songs on her own website and therefore does not want them to be available on YouTube. Still not convinced? How about the victim of a breach of privacy who wants to make sure that the video showing them in some intimate act or as the victim of a violent crime does not crop up again and again?

YouTube is certainly free to provide the service it does, but the thing about freedom is that it comes with responsibilities attached. To my mind, the Hamburg judges have struck the right balance between the interests of the proprietors of YouTube in running their business and the interests of right holders to protect their rights.

Friday, 20 April 2012

YouTube needs a Monitor


YouTube today lost a dispute before the Regional Court of Hamburg (LG Hamburg) against German collecting society GEMA (court press release here, and some media reports here, here, here). YouTube was held liable under the principle of 'Störerhaftung' ('disturbance liability' - secondary liability for contributing to someone else's breach of a third party's rights) and was issued with a permanent injunction to take down a number of songs in which GEMA administers the making available rights, and to ensure that the songs in question do not reappear on the platform in the future. 

At the preliminary stage of the proceedings in 2010, the court had refused to issue an injunction. The only reason for that was lack of urgency, though, so today's judgment is hardly surprising. What is interesting, however, is the rhetoric surrounding the case. Apparently, GEMA, YouTube and the Bundesverband Musikindustrie (Federal Association of the Music Industry) all expected great things from the judges.  According to an article in the FAZ (here), they were all hoping for clarification of the complex legal area of copyright, collecting societies and the Internet. What the court did do was point out that, upon being informed of a particular infringement, YouTube not only had to take down the file in question, but also use its Content-ID program and a word filter to monitor possible future reappearances of the respective song and take them down as well. Simply telling the copyright owners to do their own monitoring for repeat infringements did not suffice to avert liability.

To my mind, the judgment is fair enough, but Internet forum reactions to the judgment of course display the usual mix of cries over going back to the digital stone age, Internet censorship, content mafia, etc. Personally, while I admit to feeling a bit miffed when I want to watch a video on YouTube and cannot because 'this content is not available in your country', I have never had the impression that the ready availability of pop songs on YouTube is a precondition for the pursuit of happiness in general and freedom of speech and information in particular - but maybe I'm just weird that way...

In any case, it will be interesting to see whether YouTube and GEMA will resume negotiations now and finally come to a sensible agreement, with or without the help of the Arbitration Board under the Copyright Administration Act (see here), or continue their dispute through the instances for the next two to five years - after which they will probably need to go to the Arbitration Board anyway, which will then decide what a reasonable payment scheme would be. Intriguingly, GEMA does have per-click payment schemes agreed with streaming services Simfy and Deezer (see FAZ article here), which makes the assertions by YouTube/Google representatives that GEMA's claims are ludicrously overpriced a bit less easy to believe.

Thursday, 20 October 2011

Preview Pictures II (Google Thumbnails)

In a judgment handed down yesterday, the Bundesgerichtshof (BGH) confirmed and expanded its position on Google thumbnails. In last year's 'Vorschaubilder' (preview pictures) decision (BGH I ZR 69/08, see Birgit's IPKat post here), the BGH held that Google's image search service does not infringe copyright in the pictures shown as 'thumbnails' in the search results. Since the copyright owner in that case put the pictures on the web and failed to take any steps to prevent them from appearing in Google's image search (which I understand is easy to do), she was deemed to have granted an implied licence for the pictures to be made available to the public by appearing in Google's image search results.

Now the court went a step further. The factual scenario was as follows: The copyright owner, a photographer, gave permission to someone else to make one of his photographs available on the Internet, presumably without requiring to take technical steps to prevent the photograph from appearing in Google's image search results (the written judgment is not available yet, and the press release is not entirely clear on this). Third parties then copied the photograph and made it available on their own websites. Google image search results then showed the photograph linking to the third parties' websites. The copyright owner complained and later sued Google, but to no avail.

The BGH considered that a search engine cannot distinguish pictures made available with the copyright owner's permission from those made available without the copyright owner's permission. It concluded that since the copyright owner gave someone permission to make his work available on the Internet, he is deemed to have given Google an implied licence to use the work in its image search service no matter what, even if the source of the preview picture is a website whose operator is in breach of copyright for making the work in question available.

Very kindly, though, the BGH pointed out that the copyright owner is free to sue those for copyright infringement who unlawfully made the images available on the Internet. Times were when one might have thought that would go without saying...

I agree that Google did not infringe copyright, but I confess to being confused nonetheless. If the third parties made the photograph available on their websites without permission and are thus infringing copyright, why is Google upon notification of the copyright owner not required under the principles of 'Störerhaftung' (secondary liability for contributing to someone else's breach of rights) to remove the photograph from its image search service as far as those websites are concerned? Surely it must be possible to exclude the third parties' websites from the image search while keeping the thumbnail from the website of the legitimate licensee?

Any comments by our dear readers would be very welcome.

Tuesday, 5 July 2011

Blindsided!
Will U.S. Supreme Court Patent Ruling on Willful Blindness Determine Standard for Red-Flag Knowledge Under DMCA?

The 1709 Blog has previously reported on developments in the ongoing Viacom v. YouTube litigation in the United States, in which members of the content industry sued the online video-sharing service for copyright infringement based on user's uploading of copyrighted content. YouTube prevailed on summary judgment in the trial court, and Viacom appealed. The appeal is now fully briefed, and has been tentatively scheduled for oral argument on September 12, 2011.

One of the significant issues that the Second Circuit Court of Appeals is expected to address is what constitutes "red-flag" knowledge under Section 512(c) of the Digital Millennium Copyright Act ("DMCA"). The DMCA shields internet service providers ("ISPs") from liability for copyright infringement resulting from user-generated content if the ISP meets certain conditions. Among other requirements, the ISP must not have actual knowledge of infringing material on its service, or, absent actual knowledge, the ISP must not be "aware of facts or circumstances from which infringing activity is apparent." This latter category of knowledge is often referred to as "red-flag" knowledge.

The blind leading the blind

Prior case law provides little insight into what qualifies as "red-flag" knowledge. The legislative history of the DMCA suggests that a "copyright owner could show that the provider was aware of facts from which infringing activity was apparent if the copyright owner could prove that the location was clearly, at the time the directory provider viewed it, a 'pirate' site of the type described below, where sound recordings, software, movies or books were available for unauthorized downloading, public performance or public display. Absent such 'red flags' or actual knowledge, a directory provider would not be similarly aware merely because it saw one or more well known photographs of a celebrity at a site devoted to that person."

In an early case construing the "red-flag" knowledge requirement, however, the Ninth Circuit Court of Appeals held that no red-flag knowledge arose from the fact that the defendant's clients' websites had names like "illegal.net" or "stolencelebritypictures.com." In that case, Perfect 10 v. CCBill, the publisher of adult entertainment photographs sued the provider of webhosting services and the processor of credit card payments, alleging secondary liability for infringement occurring on client sites. In contrast to the above-quoted language from the legislative history, the court held, “When a website traffics in pictures that are titillating by nature, describing photographs as ‘illegal’ or ‘stolen’ may be an attempt to increase their salacious appeal . . . We do not place the burden of determining whether photographs are actually illegal on a service provider.”

Similarly, in UMG v. Veoh, a parallel case to YouTube playing out on the opposite coast of the United States, the trial court found that Veoh’s general awareness that infringement was occurring on its video-sharing site, without more, could not support a finding of “red-flag” knowledge. It reasoned that to hold otherwise would undermine the DMCA’s purpose of enabling the robust development of the Internet and e-commerce. The court granted summary judgment to Veoh in September, 2009, and the case is currently on appeal to the Ninth Circuit Court of Appeals. The Ninth Circuit heard oral argument on May 6, 2001; a decision is expected in Veoh before YouTube is decided.

The trial court in YouTube provided virtually no analysis of “red-flag” knowledge. Indeed, the entire opinion is strikingly devoid of content. The court effectively conflated actual and “red-flag” knowledge by holding that the “tenor” of the DMCA “is that the phrases ‘actual knowledge that the material or an activity’ is infringing, and ‘facts and circumstances’ indicating infringing activity, describe knowledge of specific and identifiable infringements of particular individual items. Mere knowledge of prevalence of such activity in general is not enough.”

In perhaps the only case where a court has found that an ISP had “red-flag” knowledge, the United States District Court for the Central District of California in Columbia v. Fung found that the operator of a “torrent” filesharing site where users swapped copyrighted television shows and motion pictures “turned a blind eye to ‘red flags’ of obvious infringement.” The operator himself engaged in unauthorized downloads of copyrighted material from the site. Because these downloads were done outside the United States, they could not be used to establish actual knowledge, but they showed that the operator was aware that infringing material was available on the site. The operator also designed the site to categorize copyrighted content into lists with titles such as “Top 20 Movies,” “Top 20 TV Shows,” “Box Office Movies.” These lists included copyrighted works. “Thus, unless Defendants somehow refused to look at their own webpages, they invariably would have been [sic] known that (1) infringing material was likely to be available and (2) most of Defendants’ users were searching for and downloading infringing material.” Overwhelming statistical evidence also showed the prevalence of copyrighted material on the site. Thus, “the only way Defendants could have avoided knowing about their users’ infringement is if they engaged in an ‘ostrich-like refusal to discover the extent to which their systems were being used to infringe copyright.’”

Fung notwithstanding, U.S. case law has not defined what “red-flag” knowledge is. We are thus left with a regime that recalls Supreme Court Justice Potter Stewart’s famous quote regarding obscenity: "I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that.”

To blindly go where no DMCA case has gone before?

Against this backdrop, the parties in Viacom v. YouTube are preparing to argue the appeal. In a late-breaking development, Viacom’s attorneys have brought to the appellate court’s attention a recent Supreme Court decision in a patent case that Viacom argues should apply in the context of the DMCA. In Global-Tech Appliances v. SEB, decided May 31, 2011, the Supreme Court construed Patent Act Section 271(b), which provides that whoever actively induces infringement of a patent is liable as an infringer. The language of the section implies some degree of intent, raising the question whether the requisite intent is the intent to induce the act that results in infringement or the intent to induce infringement itself. Put another way, does the inducer need to be aware of the existence of a patent and intend to cause infringement?

The Supreme Court concluded that the inducer must intend to induce infringement and must know of the existence of the patent. The Supreme Court went on to hold, however, that this specific intent standard can be satisfied by a showing of willful blindness, defined as (1) a subjective belief that there is a high probability that a fact exists and (2) the defendant takes deliberate actions to avoid learning that fact. The Supreme Court stated that the doctrine of willful blindness enjoyed a “long history” and “wide acceptance in the Federal Judiciary,” and was “well established in criminal law.” Consequently, the Supreme Court saw “no reason why the doctrine should not apply in civil lawsuits for induced patent infringement.”

Though briefing is closed in YouTube, Viacom wasted no time bringing this decision to the Second Circuit’s attention, arguing that the case “refutes YouTube’s suggestion that the doctrine of willful blindness cannot apply to the knowledge requirements under the DMCA because the doctrine is ‘extra-statutory.’” Without explanation, Viacom also argued that the Global-Tech opinion “refutes YouTube’s argument that recognizing willful blindness is knowledge would impose on all service providers a broad affirmative obligation to ‘seek[] facts indicating infringing activity.’” Such an obligation would run afoul of DMCA subsection (m), which explicitly provides that an ISP need not monitor its service or affirmatively seek facts indicating infringing activity.

YouTube, not surprisingly, responded that Global-Tech has no applicability to a copyright case invoking the DMCA, which contains “express provisions governing knowledge of infringement, including a specific statutory alternative to actual knowledge.” YouTube also pointed out the inherent contradiction between the willful blindness standard and DMCA subsection (m)’s refusal to impose an obligation of monitoring on ISP’s.

Any attempt to predict how the Second Circuit may construe and apply the Supreme Court’s Global-Tech opinion is an exercise in reading tea leaves. The Second Circuit’s 2010 decision in Salinger v. Colting, however, gives some insight. In that case, the author J.D. Salinger sued to enjoin the publication of an unauthorized “sequel” to his iconic novel “Catcher in the Rye” entitled “60 Years Later: Coming Through the Rye.” The trial court granted Salinger’s motion for a preliminary injunction, using the traditional test it had employed in copyright cases for decades: a likelihood of success on the merits coupled with irreparable harm to the plaintiff, with irreparable harm being presumed if the plaintiff could make a prima facie case of copyright infringement. The Second Circuit reversed on the basis of the Supreme Court’s ruling in eBay v. MercExchange, a patent case involving a permanent injunction in which the Supreme Court rejected the practice of presuming irreparable harm. Despite the different substantive context and procedural posture of eBay, the Second Circuit reasoned that the Supreme Court had relied not only on patent law, but on traditional principles of equity, as well as copyright cases, in reaching its conclusion. Thus, it rejected the trial court’s presumption of irreparable harm and remanded the case for further proceedings consistent with eBay.

As it did in Salinger, the Second Circuit could just as easily conclude that since the Supreme Court relied on criminal law and general principles involving knowledge standards, it should apply the Global-Tech standard in YouTube. On the other hand, it could conclude, as YouTube urges, that willful blindness and DMCA subsection (m) are irreconcilable. The panel of judges that will hear YouTube has not yet been announced, so it is unknown whether the panel will include some or all of the same judges that decided Salinger. Of course, however constituted, the panel may well decide the case on other grounds, leaving the state of “red-flag” knowledge squarely in Justice Potter territory.

Monday, 28 March 2011

Liability in Italy - Yahoo! held responsible


We are grateful to one of our Italian friends for sharing with us the following information about a surprising decision of the Italian courts:

Yahoo! is responsible for all the copyright infringements in relation to unauthorized links: the caching providers’ responsibility PFA Films, an Italian production and distribution company, legitimate owner of all of the exploitation rights of the film “About Elly”, has summoned Yahoo! Italia S.r.l., the service provider, asking them to remove all the links and files unauthorized by PFA in connection to the film ”About Elly”. Surprisingly the Court of Rome agreed on the request and ordered Yahoo! to disable all the websites which allow the web surfer to watch the film or just some pieces of it in streaming, downloading or peer-to-peer. The judge basically says that only the official film website is lawful while all the others are illegitimate. 


The decision is really astonishing and probably it will be the beginning of a new trend. The judge indeed is very precise in the description of the facts and in focusing her attention in the interpretation of the law. She carefully referred to the legislation and to the interpretation of Italian courts in relation to the service providers’ responsibility. She rightly referred to art. 14, 15, 16 and 17 of decree 9/4/2003 n.70 and to the European Court of Justice (CGE C236/08 and C238/08) [the Google AdWords case] . She defined Yahoo! as a caching provider, which is responsible just for removing all the illegitimate links, only the ones that are brought out to its attention. So Yahoo! was responsible because it did not remove all the pirate links, yet PFA Films did not provide any lists of websites asking in such a general way for Yahoo! the clearing of every content reproducing all or just part of the film “About Elly”. The conclusion is a bit complicated to understand and takes the distance from the other previous decisions on he matter. Yahoo! must not previously verify the contents of the websites to which it links because it does not have any legal obligations to identify the contents previously, yet, just after a general warning notice by the owner of the exploitation rights of the audiovisual aids, it is responsible for removing all the pirate links or audiovisual files, because the official website of the film is the only one which is legitimated to show all or part of the film.

This takes the present UK discussions about a site-blocking remedy to a completely different place and is no doubt not the last word on this subject.