Monday, 23 November 2009

Digital Economy: if you hate the Bill, you'll love the petition


The 1709 Blog learned from Glyn Wintle earlier today that over 9,000 people had signed the Number 10 petition against the Digital Economy Bill in the last two days. He says:
"People are particularly upset about the three strikes provision but there are several bad things in the bill".
Someone's definitely upset. By the time this blog was posted the tally of signatories had risen to 14,860. The closing date for signing up is 20 October 2010, which is four and a half months after the latest date on which the next General Election will be held.

Here comes a pan-European copyright regime?


Viviane Reding, accepting an award in Barcelona this morning, flagged her intention to try to extend Brussels' powers to legislate for copyright in the wake of the Lisbon Treaty.
Ms Reding, who has been nominated to retain her role in the new Commission which takes office when the Lisbon Treaty comes into force, stated that she wishes to see a European copyright regime, initially to run in tandem with, and ultimately to replace, national copyright laws.
No details were forthcoming - but no doubt this type of approach will be music to the ears of the Eurosceptic brigade.
Original story (in Spanish) courtesy of European PressPhoto Agency can be read here

Does Infosoc directive shed light on fair compensation and the three-step test?

On Friday in Stichting de Thuiskopie v Opus Supplies Deutschland GmbH the Dutch Supreme Court referred two questions to the Court of Justice of the European Communities for a preliminary ruling. The questions relate to two matters of speculation concerning the influence of the concepts of ‘fair compensation’ and the ‘three-step-test’ in the Infosoc directive on the application of private copying levies on internet cross-border sales to consumers. The questions are as follows:
"(i) Does Directive 2001/29/EC, more specifically article 5(2)(b) and (5), provide any bases for answering the question of who should be considered under national law the person entitled to receive the ‘fair compensation’ referred to in article 5(2)(b)? And, if so, which?

(ii) If there is a direct purchase in which the buyer is domiciled in a Member State other than the one of the seller, does article 5(5) of the Directive then require the interpretion of national law in such a broad manner that, at least in one of the countries involved in the direct purchase, the ‘fair compensation’ referred to in article 5(2)(b) is owed by a commercially acting debtor?".
Dirk Visser (an Advocaat with Klos Morel Vos & Schaap who represents the defendants in the underlying action, and who is also Professor of Intellectual Property Law at Leiden University) has kindly furnished an English translation of the entire judgment which you can read here.

Professor Visser adds that, personally, he is of the opinion that both questions should be answered in the negative, because the Infosoc directive does not oblige Member States to introduce a private copying levy system at all, let alone give any guidance on who should be the debtor. He also thinks that any other answer would have some serious free movement of goods implications, adding:
"There is little doubt however that the problems underlying these questions are of a rather fundamental nature regarding the future and desirability of (non-harmonized) private copying levies in a networked global economy".

Recent publications

A refreshed, revitalised and abridged form of Ben Challis's classic 2003 essay on music sampling, "The Song Remains The Same", has just been republished in the WIPO Magazine (Issue 6, November 2009) which is free both online and as a pdf. Ben's article can be found and downloaded here. By sheer coincidence, the article which follows it in this issue is "Is Sampling Always Copyright Infringement?" by my Polish friends Tomasz Rychlicki and Adam ZieliƄski, co-authors along with DJ Twister of "Sampling and scratching in US copyright and Polish law: a comparative analysis", published in the Journal of Intellectual Property Law Practice earlier this year (click here for abstract). A third short-but-sweet piece on contemporary copyright issues is "Legal Use of Digital Content – Making it Clear and Simple" by Lesley Ellen Harris.


Issue 4 of this year's scholarly Intellectual Property Quarterly, published by Sweet & Maxwell in association with the Intellectual Property Institute, features "The 'Three Step Test' in European Copyright Law: Problems and Solutions" by Jonathan Griffiths (Queen Mary), as well as "Copyright and the Fourth Estate: Does Copyright Support a Sustainable and Reliable Public Domain of News?" by University of New South Wales lawyers Kathy Bowrey and Catherine Bond.

Saturday, 21 November 2009

The curious case of the psychoacoustic Beatles' tracks

At the start of the month the internet was alive with rumours and then reports that a US website had made the Beatles catalogue available online – with tracks selling at the bargain price of 25c each. The news prompted the fab four’s label EMI to issue legal proceedings against BlueBeat.com which in turn prompted the boss of Music Rights Technologies, owners of Bluebeat, to produce a novel argument that his company were not infringing EMI's copyrights - because they were their's. Hank Risan’s argument was this - before making music files available via the BlueBeat.com service, his company made a new recording of each track using what he calls "psychoacoustic simulation". By doing this, Risan says his company creates a new master recording and one in which they, rather than EMI or Apple Corp, own the recording copyright. So Risan’s argument was that providing BlueBeat pay a mechanical royalty to the songwriter or publisher who owns the actual song, they don't need any licence from a record company or recording artist. The matter escalated when EMI realised that other recordings from the EMI catalogue were online including Blondie, Blur, Coldplay, Radiohead and Norah Jones and EMI pressed ahead with an action for a preliminary injunction to remove the tracks from Bluebeat with immediate effect, and were granted a temporary restraining order.

Risan’s failed defence was that the “re-recordings” of the sound recordings produced “entirely new and original sounds” and the claimants’ “copyright protection does not extend to the independent fixation of sounds other than those contained in their copyrighted records”. Specifically, BlueBeat argued that their sound recordings fell within the exception in Section 114(b) of the US Copyright Act which says that “The exclusive rights of the owner of a copyright in a sound recording under clauses (1) and (2) of section 106 do not extend to the making or duplication of another sound recording that consist entirely of an independent fixation of other sounds, even though such sounds imitate or simulate those in the copyrighted sound recording…”. Reports said that EMI are ultimately seeking a permanent injunction and general damages to be determined or statutory damages for each infringed copyright (a maximum of £150,000 per infringement) and are also additionally seeking exemplary/punitive damages.

There was a strange twist in the tail of this case as Risan and Media Rights Technologies were (and are) well known commentators on illegal music downloading, seemingly from a position of support for the record industry over the last ten years, MRT offered consultancy to record labels on digital rights solutions and appears to have run an internet radio station, streaming music legally, without controversy for some time. There were also some rather strange press releases from Risan in the period surrounding the controversy with one statement saying “we worked with EMI directly, and the RIAA [Recording Industry Association of America] in secret agreements to create these works lawfully. We've been doing so for many, many years. We were about to provide the court with such evidence that EMI knew we had in our possession. We worked with these guys. The evidence wasn't presented because we haven't had a hearing, and the judge made a ruling".


And indeed a judge did make a ruling - Judge John F Walker has now indefinitely extended EMI's order based on evidence already submitted by both sides, issuing an preliminary injunction banning Bluebeat.com from selling or streaming EMI recordings (included allegedly reconstructed EMI recordings) without a licence. In his ruling, Judge Walter writes "Mr Risan fails to provide any details or evidence about the 'technological process' that defendants contend was used to create the 'new' recordings or adequately explain how the 'new' recordings differ in any meaningful way from plaintiffs' recordings".

Risan is said to be “shocked” at Judge Walters pre-emptive ruling saying “we went and actually got permission at each step of the way. The first step was to show them the technology, which they tested and found to be unbreakable. The second step was they authorised us to make the protected sound recordings. The third part, they totally approved the BlueBeat site - all the major labels and the RIAA". Risan says he is consulting with his lawyers regarding his options for appeal and also said that BlueBeat.com would return to service "shortly" as soon as a further agreement could be worked out with EMI. The website is currently offline.


Thursday, 19 November 2009

Anti-suit injunction keeps copyright suit out of the US courts

Skype Technologies SA v Joltid Ltd and others [2009] EWHC 2783 (Ch) was a Chancery Division decision of Mr Justice Lewison earlier this month on a subject which has recently generated much thought but not too many judicial decisions: anti-suit injunctions in intellectual property disputes.

Skype, an internet telephony company domiciled in Luxembourg, claimed that proceedings which Joltid brought against it in the United States were in breach of a jurisdiction clause in a licence between them and sought an anti-suit injunction. According to that agreement, Skype had offered free downloads of Joltid's software so that users could enjoy the benefits of free phone calls. Under the agreement, Skype received the worldwide right to use a compiled object code form, although control of the source code was reserved to Joltid alone. Clause 19 read as follows:
"Governing Law and Jurisdiction. Any claim arising under or relating to this Agreement shall be governed by the internal substantive laws of England and Wales and the parties submit to the exclusive jurisdiction of the English courts".
Joltid subsequently claimed that Skype had breached the licence agreement by dealing with its source code and purported to terminate the agreement. Skype, maintaining that it was still entitled to use the software, brought proceedings for a declaration that there was neither a breach by them nor a valid termination, since Joltid had supplied Skype with the source code rather than the object code. Joltid in turn sought declarations that the termination was valid, plus financial remedies, and injunctions with global effect.

After Skype commenced its proceedings, its owner agreed to sell a large part of it to investors who planned to operate Skype on much the same basis. Joltid claimed that this meant that there would be continued infringement of its copyright globally. Having registered its copyright in the source code in the United States, Joltid then brought proceedings there against Skype and its new owner, the investors and other parties. Skype was none too happy about this US action which, it alleged, was in breach of clause 19.

Mr Justice Lewison granted the injunctive relief sought. In his view,
* Whether a claim fell within an agreed jurisdiction clause was a matter of contractual interpretation, to be decided according to national law, and it had to be construed liberally in accordance with what rational businessmen would have intended.

* The decision of the Court of Justice of the European Communities in Case C-281/02 Owusu v Jackson meant that discretionary considerations such as those relating to forum non conveniens did not apply to decisions of courts in EU Member States so as to stay their own proceedings.

* In Owusu there was no ruling as to whether a Member State court could, or should, grant an injunction to prevent proceedings being taken in another jurisdiction, and the proposition that the test was the same was not borne out by authority.

* Regarding the US proceedings, there was a valid contract which Joltid had breached.

* The exclusivity agreement was itself supported by other considerations: the partieshad chosen a neutral forum, the copyright licence was worldwide and a breach somewhere must have been contemplated; accordingly witnesses and documents could be located anywhere in the world. Thus the standard considerations on forum non conveniens should have little weight against the clause; otherwise it would be deprived of its intended effect.
The 1709 Blog is relieved that the court gave effect to the intention of licensor and licensee as expressed in Clause 19. It can be frustrating for lawyers who draft clauses in plain English to watch as sundry jurisdictional issues are raised in court which appear to sink the fragile ship of contractual intent.

Monday, 16 November 2009

Recent publications

* With a close-up portrait of an avatar occupying centre page, the cover of this month's Copyright World is simultaneously attractive and repugnant. The story behind it, "Copyright in Virtual World Creations" by Pillsbury Winthrop Shaw Pittman LLP's Benjamin Duranske, explores the rights which creators of virtual goods in 3D websites may seek to invoke. As the journal explains:
"The increasing popularity of computer-generated virtual worlds on the internet where users can interact as “avatars” highlights a gap in the coverage of current copyright law. This gap arguably gives creators of certain virtual goods, such as virtual clothing, buildings, and hairstyles, significantly greater protection from infringement than that enjoyed by their real-world counterparts".
Other features in this issue include an interview with Pirate Party founder Rikard Falkvinge and an intriguing summary by Barry Kramer and Glenn G. Pudelka (Edwards Angell Palmer & Dodge LLP) of the application of sovereign immunity in US copyright disputes.


* The Journal of Competition Law & Economics, a scholarly title published by Oxford University Press (click here for further JCLE details). This issue carries two major pieces of interest to copyright lawyers. The first is Randal C. Picker, "The Google Book Search Settlement: a new orphan-works monopoly?". According to the abstract, "
This paper considers the proposed settlement agreement between Google and the Authors Guild relating to Google Book Search (GBS). I focus on three issues that raise antitrust and competition policy concerns. First, the agreement calls for Google to act as agent for rightsholders in setting the price of online access to consumers. Google is tasked with developing a pricing algorithm that will maximize revenues for each of those works. Direct competition among rightsholders would push prices towards some measure of costs and would not be designed to maximize revenues. The consumer access pricing provision might very well fail a challenge under Section 1 of the Sherman Act. Second, and much more centrally to the settlement agreement, the opt-out class action will make it possible for Google to include orphan works in its book search service. Orphan works are works as to which the rightsholder cannot be identified or found. The opt-out class action is the vehicle for large-scale collective action by active rightsholders. Active rightsholders have little incentive to compete with themselves by granting multiple licenses of their works or of the orphan works. Plus under the terms of the settlement agreement, active rightsholders benefit directly from the revenues attributable to orphan works used in GBS. We can mitigate the market power that will otherwise arise through the settlement by expanding the number of rights licenses available under the settlement agreement. To do that, we should take the step of unbundling the orphan works deal from the overall settlement agreement and create a separate license to use those works. All of that will undoubtedly add more complexity to what is already a large piece of work, and it may make sense to push out the new licenses to the future. That would mean ensuring now that the court retains jurisdiction to do that and/or giving the new registry created in the settlement the power to do this sort of licensing. Third, there is a risk that approval by the court of the settlement could cause antitrust immunities to attach to the arrangements created by the settlement agreement. As it is highly unlikely that the fairness hearing will undertake a meaningful antitrust analysis of those arrangements, if the district court approves the settlement, the court should include a clause—call this a no Noerr clause—in the order approving the settlement providing that no antitrust immunities attach from the court's approval".
The second, by Jerry A. Hausman and J., Gregory Sidak, is "Google and the Proper Antitrust Scrutiny of Orphan Books". The abstract states:
"We examine the consumer-welfare implications of Google's project to scan a large proportion of the world's books into digital form and to make these works accessible to consumers through Google Book Search (GBS). In response to a class action alleging copyright infringement, Google has agreed to a settlement with the plaintiffs, which include the Authors Guild and the Association of American Publishers. A federal district court must approve the settlement for it to take effect. Various individuals and organizations have advocated modification or rejection of the settlement, based in part on concerns regarding Google's claimed ability to exercise market power. The Antitrust Division has confirmed that it is investigating the settlement. We address concerns of Professor Randal Picker and others, especially concerns over the increased access to "orphan books," which are books that retain their copyright but for which the copyright holders are unknown or cannot be found. The increased accessibility of orphan books under GBS involves the creation of a new product, which entails large gains in consumer welfare. We consider it unlikely that Google could exercise market power over orphan books. We consider it remote that the static efficiency losses claimed by critics of the settlement could outweigh the consumer welfare gains from the creation of a valuable new service for expanding access to orphan books. We therefore conclude that neither antitrust intervention nor price regulation of access to orphan books under GBS would be justified on economic grounds".

* Finally, issue five of Sweet & Maxwell's bimonthly European Copyright and Design Reports contains full-text reports of three cases, of which one is a Scottish decision, Toner v Kean Construction (Scotland) Ltd, a decision of the Outer House, Court of Session, on procedural issues relating to when and whether a single action for infringement of copyright in architectural drawings can be brought against two defendants.

Friday, 13 November 2009

How Bow Wow Wow Row Now Concluded

Several readers have drawn my attention to this feature in The Tripwire (why, I ask, are they reading this when there are so many earnest copyright publications gathering dust on the shelves ...?): entitled "George Clinton Wins Landmark Court Battle Over “Bow Wow Wow, Yippie Yo Yippie Yea”", it reads (in relevant part):
"Whether or not you believe George Clinton was actually the first (along with two fellow songwriters) to pen the phrase in 1982’s “Atomic Dog” may be another story altogether. No matter what your feelings on the matter, we wouldn’t suggest using the phrase in your lead single anytime soon, or you will probably be paying Bridgeport Music a large sum of money. The suit was filed against Universal Music Group for their group, Public Announcement, using the phrase in their 1998 release “D.O.G. In Me” that a panel of federal judges ruled to be in violation of Clinton’s copyright ...".
Have you noticed, by the way, how almost every legal decision is now deemed to be a landmark ruling?

Illustration above: Nipper learning the "bow wow" lyrics ...