Wednesday, 22 January 2014

Copyright conference to be held in the Neuadd !!

The Neaudd
Following the recent tribunal ruling in the dispute between the BBC and Eos (the broadcasting rights agency for Welsh musicians and publishers) so eloquently blogged by Ben here, Bangor University Law School, North Wales, is holding a conference entitled ‘Protecting and collecting: 21st century copyright and minority languages’. The venue is the Neuadd Reichel and the date is 13 February 2014. It's an all-day affair, running from 9.30am-4.00pm, and it is a wonderful chance to discuss music copyright law and its impact on minority cultures.

Guest speakers are Professor Ian Hargreaves (Cardiff University), Gwion Lewis (Eos Barrister), John Hywel Morris (PRS for Music), Kalev Rattus (EAU Estonia), Mark Hyland (Bangor University Law School), Geian ap Rhisiart (Bangor University) and Steffan Thomas (Bangor University). Admission is free, the main cost being that of getting there in the first place. Once there, however, a feast of tropical topical law (and a free lunch) awaits you. To register, just email cynhadleddhawlfraint@bangor.ac.uk 

Tuesday, 21 January 2014

Uzbeks withdraw Berne reservation

This blogger must confess that, while he enjoys the sensation of having all the law at his fingertips and often in his brain, there are times when he quite forgets all about Article 18 of the Berne Convention.  In case you have forgotten all about it too, here it is:
Article 18 
Works Existing on Convention's Entry Into Force: 1. Protectable where protection not yet expired in country of origin; 2. Non-protectable where protection already expired in country where it is claimed; 3. Application of these principles; 4. Special cases

(1) This Convention shall apply to all works which, at the moment of its coming into force, have not yet fallen into the public domain in the country of origin through the expiry of the term of protection.

(2) If, however, through the expiry of the term of protection which was previously granted, a work has fallen into the public domain of the country where protection is claimed, that work shall not be protected anew.

(3) The application of this principle shall be subject to any provisions contained in special conventions to that effect existing or to be concluded between countries of the Union. In the absence of such provisions, the respective countries shall determine, each in so far as it is concerned, the conditions of application of this principle.

(4) The preceding provisions shall also apply in the case of new accessions to the Union and to cases in which protection is extended by the application of Article 7 or by the abandonment of reservations.
This has all suddenly become quite topical after WIPO released Berne Notification No. 261 (better known as "Berne Convention for the Protection of Literary and Artistic Works Notification by the Republic of Uzbekistan: Withdrawal of Declaration Concerning Article 18 of the Paris Act (1971)").  Back in 2005, when Uzbekistan deposited its instrument of accession to the Berne Convention, it also made a declaration according to which the effects of that Convention would not extend to works which, at the date of entry into force of the Convention in Uzbekistan, were already in the public domain there. However, on 8 January of this year, that declaration was withdrawn. 

"Are Moral Rights Human Rights?": forthcoming event

Blaca, the British Literary and Artistic Copyright Association, is running a special joint meeting with the IPKat on Wednesday 12 February to examine the question "Are moral rights human rights?" The two principal speakers are 1709 Blog and IPKat blogger Eleonora Rosati and Graham Smith (IP partner at the London office of Bird & Bird LLP and author of the Cyberleagle blog).

The meeting is to be hosted by Bird & Bird at its offices at 15 Fetter Lane, London. Admission will be from 5:00 o'clock, with the seminar beginning at 5:30 pm. The seminar will be followed by a drinks reception, kindly hosted by Bird & Bird. In the chair is Sir Colin Birss.

Admission is free but space is limited.  To register please email tom.blacatreasurer@gmail.com

Sunday, 19 January 2014

Butterflies in formation? A spot of UK university copyright management ...

"Make the butterflies fly in formation? Management of copyright created by academics in UK universities" is an article by Dr Andreas Rahmatian (Senior Lecturer, School of Law, University of Glasgow) which has had the bittersweet experience of being published in a highly reputable journal (Legal Studies) but, nonetheless, not a journal that is daily scoured by intellectual property enthusiasts in their quest for a deeper understanding of copyright in practice. The 1709 Blog is therefore delighted to direct the attention of readers toward it.  According to the abstract:
"Universities have increasingly become aware of the fact that the intellectual property (IP) rights that attach to the work of their academics could become significant and valuable assets to the university as an institution and economic organisation. The study involved analysis of the copyright and intellectual property policies of universities in the UK and the interviewing of specialised representatives of universities in relation to the policies of their respective institutions. The principal question of the study was the way in which university policies deal with the issue of ownership of copyright generated by academic staff, which proved to be a sensitive area. 
University policies presume that, by default, they own all work that academics create as their employees. There seems to be insufficient appreciation of the differentiated legal interpretation of the employees’ copyright rule. At least in relation to core academic work (scholarly books and journal articles in particular), initial copyright ownership by the university, by virtue of the statutory employee copyright rule, is highly doubtful. As a result of the universities’ principal position with regard to ownership, university IP policies have resorted to complicated and artificial assignment and licencing provisions, with questionable enforceability".
This article is available on early view: Legal Studies, 2014, DOI: 10.1111/lest.12040

Copyright Week

The CopyKat is a bit late brining in the news, but a trip to Holland intervened. Anyway, and better late than never, I should let you all know that to mark the anniversary of the anti-SOPA/PIPA protests, a number of organisations (including the Electronic Frontier Foundation, Creative Commons, the American Library Association, the Medical Library Association, the Open Knowledge Foundation, and others) have organised Copyright Week, a 6-day event focusing on the discussion and promotion of a number of core principles that - they suggest - should inform copyright reform debate.

They are:

Day 1 - Transparency - Copyright policy must be set through a participatory, democratic and transparent process. It should not be decided through back room deals or secret international agreements.

Day 2 - Building and defending a robust public domain - The public domain is our cultural commons and a public trust. Copyright policy should seek to promote, and not diminish, this crucial resource.

Day 3 - Open access - The results of publicly funded research should be made freely available to the public online, to be fully used by anyone, anywhere, anytime.

Day 4 - You bought it, you own it - Copyright policy should foster the freedom to truly own your stuff: to tinker with it, repair it, reuse it, recycle it, read or watch or launch it on any device, lend it, and then give it away (or re-sell it) when you're done.

Day 5 - Fair use rights - For copyright to achieve its purpose of encouraging creativity and innovation, it must preserve and promote ample breathing space for unexpected and innovative uses.

Day 6 - Getting copyright right - A free and open Internet is essential infrastructure, fostering speech, activism, new creativity and new business models for artists, authors, musicians and other creators. It must not be sacrificed in the name of copyright enforcement.

More from Eleonora on the IPKat here http://ipkitten.blogspot.co.uk/2014/01/its-copyright-week-but-also-time-to.html

"Two years after the anti-piracy bill SOPA sparked protests from activists concerned about Internet freedom, issues around what can be done to limit activity online continue to rage on." More here
http://www.nbcnews.com/technology/sopa-two-years-later-fight-over-internet-legislation-left-lasting-2D11943949


Friday, 17 January 2014

CISAC goes East, opens in Beijing

A media release entitled "CISAC sets up new Regional Office in China" was received not once but twice this morning by this blogger, which announces the following:
In a move to boost the promotion and protection of creators’ interests in the region, CISAC, the International Confederation of Authors and Composers Societies, announced the opening of its new Asia-Pacific office in Beijing. An official ceremony to celebrate the event took place this week with the participation of famous creators, high-level government official and industry executives from across the region. ...

CISAC ... has officially launched its new Regional Asia-Pacific office ... after successfully obtaining the support of Chinese authorities. The office will coordinate the protection and promotion of authors’ interests throughout the region.

CISAC Director General, Olivier Hinnewinkel, said:
“We are pleased to announce that we have received the full support of the National Copyright Administration of China (NCAC) to set up our office in Beijing. China is a vibrant artistic market and it is vital to CISAC that the rights of creators, in all repertoires, are recognised and protected in this country and throughout the region.

The NCAC is a valuable partner for CISAC to achieve this goal and we truly appreciate the Chinese government’s support. We are proud to celebrate the opening of our new home in Asia by bringing the creative community to the vibrant Beijing, a city blessed with creators and creativity. Our opening ceremony and the seminar that follows mark the beginning of a new era for us and our 3-million strong creators’ community in the region.”
The opening ceremony ... was followed by a seminar on the future of copyright and collective management in the region, focusing on the essential role that it plays in the lives of creators and commercial users.
This blogger is curious to see what the impact of CISAC's initiative might be in investing time, effort and money in opening this office.  Presumably the interests of its 227 members and, by implication, its members' members, are too precious (or possibly too amorphous) to allow them to be outsourced locally.  He also notes that there was no room in the media release for any mention of MCSC, the Music Copyright Society of China, which is the only Chinese member of CISAC.

May AGCOM Regulation become redundant?

Dr Giuseppe Mazziotti
(pictured in Florence)
A few weeks ago the Italian Communication Authority (AGCOM) issued its Regulation on online copyright enforcement [on which see here, here and here; unofficial English translation is available here]. 

The Regulation has not yet entered into force, but has attracted considerable attention already. 

Today The 1709 Blog is delighted to host a thorough and sharp analysis by Dr Giuseppe Mazziotti, Associate Fellow at the Centre for European Policy Studies (CEPS), Brussels and founder of Mediartis, Rome.

Here's what Giuseppe writes:

"Understanding why AGCOM recently adopted an administrative regulation on online copyright enforcement – in spite of the issues and perplexities raised by the European Commission in its letter on 3 December 2013 [see here] -  would be hard (or even impossible) without briefly considering the background to this initiative and today’s Italian political scenario. 

As the readers of this blog know, the regulation creates a new notice-and-takedown (NTD) procedure that will be handled by AGCOM itself and will have ISPs as the main targets of website blockings, measures aims at disabling access to entire websites in case of massive copyright infringements and, in case of non-compliance, heavy administrative fines. As a result of the entry into force of the regulation (on 31 March 2014) copyright holders will be placed in a position to ask AGCOM to order mere conduit and hosting providers to restrict access to infringing materials by Internet users. 

The AGCOM regulation does not contemplate any provisions with regard to infringements carried out by individuals on peer-to-peer networks; nor does it embody measures aimed at restricting the activities of caching or linking providers.

The main purpose of the new regulation is that of making copyright enforcement fast (or, as it was said, “super-fast”) and more effective in a country where a smooth functioning of the notice-and-takedown procedures foreseen under the e-Commerce Directive has been hindered by its erroneous (and unsuitable) transposition into Italian law. 

According to the Italian legislative decree that implemented the e-Commerce Directive, requests of takedown of illegal content should be notified to ISPs by means of “communications” by competent judicial or administrative authorities in order to acquire a legally binding force. In other words, in Italy the obligation for ISPs to act “…. expeditiously to remove or to disable access to the information…” does not arise at the time when an ISP obtains knowledge or becomes aware of illegal activities or infringing content occurring on its servers (cf Article 14 of the e-Commerce directive). Rather, such obligation arises (only) when a notice is communicated to an online intermediary by a judicial or administrative authority. 

This does not mean that the largest providers of hosting services operating in Italy have followed such approach: Google, Facebook, Twitter and many others have spontaneously adopted informal notice-and-takedown procedures. 

Still, the way Italy transposed the liability exemption rules embodied in the e-Commerce Directive reflects the idea that public authorities should be involved in the context of online enforcement procedures from the outset. This is the same idea that the new regulation is based upon, considering that

(i)      the administrative procedure has to start by a review of the admissibility of the infringement claim and a notification made by AGCOM to "the suitably-identified service provider", to the "uploader" and to the webpage and website manager and
(ii)     the copyright holder's request is transmitted to AGCOM’s judging panel – acting as a possible substitute (or duplicate) of a proper judicial authority - after the formal notification procedure.

So, what is new in the regulation? What might make its enforcement suitable?

Time constraints: the only thing?
The answer is: The creation of time constraints for the whole procedure (and even more so for the faster procedure envisaged by the regulation) and the sanctioning power that AGCOM granted to itself (!) with regard to fines are certainly elements of novelty, whose effectiveness will have to be tested as soon as the regulation becomes applicable. 

One might legitimately wonder whether a relatively small authority like AGCOM will have the human and technical resources to handle large amounts of claims and proceedings and putting them to an end in a timely manner. 

The reason why the enforcement of the regulation might be useful from a policy-making perspective is that the gravity of website blockings and online restrictions that AGCOM might end up ordering to ISPs could trigger a suitable political debate and persuade the Italian Parliament – ie the next one, not the current one, where there is no clear political majority – to eventually enact a reform of civil enforcement proceedings, in line with both the e-Commerce Directive and the Intellectual Property Rights Enforcement Directive, known as ‘IPRED’.  

If Italy will make enforcement of digital copyright smoother through the implementation of balanced notice-and-takedown procedures and access to IP-specialised courts easy and effective for all categories of copyright holders - including individual right-holders and small and medium-size content producers - there will be no reason to keep a substitute such as AGCOM regulation in force for long." 

Wednesday, 15 January 2014

BREAKING NEWS: EU Commission had serious doubts about Italian Communication Authority draft online copyright enforcement regulation

As just announced on the IPKat, today fellow Kat Alberto Bellan and I finally got access to the super-mysterious letter [available here] that the EU Commission sent to the Italian Communication Authority (AGCOM), shortly prior the adoption of its Regulation on online copyright enforcement [on which see here and here; unofficial English translation is available here]. 

As recalled here, by adopting its Regulation AGCOM set a very important precedent, for Italy and the EU alike. As regards the former, it is the first time in Italy that an administrative authority (as is AGCOM) has vested itself with powers (to grant injunctions) which traditionally have fallen within the competence of courts. As regards the latter, the Italian experiment has the potential to be looked at with either interest or fear by the other Member States, as well as informing debate around forthcoming review of the InfoSoc and Enforcement Directives.

Also in consideration of the "innovative" approach to be taken in the Regulation, the EU Commission was asked to provide comments on its first draft [see notification webpage here] focusing on compatibility with EU law, notably the Ecommerce Directive and the Charter of Fundamental Rights of the European Union.

Contrary to what AGCOM President Marcello Cardani declared a few hours ago during a hearing before the Italian Parliament, the EU Commission had many questions and serious doubts about the draft regulation that AGCOM was thinking of adopting. Amongst others, doubts related to compatibility with the fundamental right of defence.

Read it all on the IPKat and let us know what you think!