Showing posts with label info soc directive. Show all posts
Showing posts with label info soc directive. Show all posts

Wednesday, 26 October 2016

French Representatives Discuss EU Commission Copyright Proposal


The Commission of European Affairs of the French lower Chamber, the Assemblée Nationale, examined last week a report on copyright protection in the European Union (EU), written by Representatives Marietta Karamanli and Hervé Gaymard (the Rapporteurs).

The Commission published on September 14 its proposal to update the EU copyright laws, which include a proposal for a Directive on Copyright in the Digital Single Market  (see here for Eleonora’s review on the IPKat blog). The Representatives’ report was written before the Commission publication, but it anticipated the proposals. The Rapporteurs, however, do not seem quite interested in change. They do not believe it is necessary to modify Directive 2001/29, the InfoSoc Directive, and even believe it would be “inauspicious,” as the InfoSoc Directive“ does not constitute an obstacle to the construction of a large digital single market” as envisioned by the European Commission.
Mandatory harmonization of exceptions? Well… peut-être…

The Rapporteurs are against mandatory harmonization of exceptions of the rights of reproduction and communication to the public in all the Member States, as it had been recommended by Julia Reda’s report, because “[n]ational flexibility in this field is a prerequisite for the development of a stable environment for creators and conducive to creativity.”

During the October 18 meeting of the Commission of European Affairs (video is here), Hervé Gaymard stressed the importance of strictly supervising these exceptions (encadrement strict), which choice and implementation, according to him, are best left to the Member States

As of now, the InfoSoc Directive lays out twenty exceptions to the exclusive rights of copyright holders which Member States may or may not chose to implement in their laws. The InfoSoc Directive’s only mandatory exception is laid out in its article 5.1., which directs Member States to exempt from the reproduction right temporary acts of reproduction which sole purpose is to enable a transmission in a network between third parties by an intermediary, or a lawful use, such, for example, “caches” and other technical copies made by users of computers for faster access by websites. Articles 5.2 and 5.3 of the Directive provides a list of exceptions which Member States may choose to implement. Recital 32 of the InfoSoc Directive specifies that this list of optional exceptions is “exhaustive.”

This led to Member States having quite a different copyright framework. We saw last week that France recently, but somewhat reluctantly, implemented the ‘freedom of panorama’ law in its IP Code. Other Member States implemented this exception more broadly, or not at all.

The EU Commission noted in its 2015 Communication towards a modern, more European copyright framework that:

“[t]he fragmentation of copyright rules in the EU is particularly visible in the area of exceptions. The exceptions set out in EU law are, in most cases, optional for Member States to implement. Often exceptions are not defined in detail. As a consequence, an exception in the law of one Member State may not exist in a neighbouring one, or be subject to different conditions or vary in scope. In some cases the implementation of a given exception in Member States' law is narrower than what EU law permits. Most exceptions do not have effect beyond a given Member State. “

New mandatory exceptions may be ahead. Article 3.1 of the proposal for a new Directive would create a mandatory exception “for reproductions and extractions made by research organisations in order to carry out text and data mining of works or other subject matter to which they have lawful access for the purposes of scientific research.” This new exception was discussed at the October 18 meeting, and Hervé Gaymard is favorable to it, but only if it leads to non-commercial works.

Article 4 of the new directive would provide an exception for “the digital use of works and other subject-matter for the sole purpose of illustration for teaching.” Hervé Gaymard declared to be favorable to this exception, as MOOCs must be allowed to develop, but only if in accordance to the French law and if it is not, for example, detrimental to the French school books market.

Article 5 of the new Directive would provide an exception for “cultural heritage institutions, to make copies of any works or other subject-matter that are permanently in their collections, in any format or medium, for the sole purpose of the preservation.” Hervé Gaymard is in favor of this exception, which would benefit France’s patrimony.

Mr. Gaymard concluded that the Rapporteurs were in favor of new mandatory exceptions, but only if they were they are framed, proportionate to the aim pursued and if they are not detrimental to creators’ income.

No fair use, non!

The Rapporteurs are suspicious of the American fair use, because it is unpredictable and “potentially unfavorable to creation” and is even “likely to cause significant damage to the authors.” The authors cite the Hargreaves Review of Intellectual Property and Growth as a proof of the “potentially harmful nature” of fair use. Indeed, this report had concluded that the UK was better off without fair use, as “significant difficulties would arise in any attempt to transpose US style Fair Use into European law “(see paragraph 5.19 of the Hargreaves Review).

The Hargreaves Review supported the use of the exceptions system as applied in the EU, rather than the US fair use system, although interpreting this report as saying that fair use is of a “harmful nature”, as the Rapporteurs did, may be a bit of a stretch. The Hargreaves Review presented some of the positive aspects provided by fair use, which the Rapporteurs chose not to report. One of the positive aspects of fair use reported by the Hargreaves Report is that it allows US judges “to take a view as to whether emerging activities in relation to copyright works should legitimately fall within the scope of copyright protection or not” without the need of the intervention of the legislature. One can understand that the Rapporteurs are not keen on giving such powers to the French courts. France is, after all, a civil law country, not a common law country.

Data portability, pourquoi pas?

Finally, the Rapporteurs “welcom[ed] the proposal for a regulation for cross-border portability of content, which will allow users to enjoy, wherever they are in the territory of the Union, the programs to which they subscribed in their State of habitual residence. But they stress the idea that portability should be strictly temporary, and that temporality must be a precise definition, without which the settlement would disproportionately infringe the principle of territoriality of rights, which is the base of the financing system for the creation, notably in France.”

This is only the start of the discussion about the EU Commission proposals. Stay tuned…



Picture courtesy of Flickr user Cata Fuentealba under a CC BY 2.0 license.

Monday, 22 July 2013

Papasavvas heads for CJEU

The attention of this member of the 1709 Blog team has been drawn to another set of questions that a national court has referred to the Court of Justice of the European Union for a preliminary ruling -- a further sign of the increasing uncertainty at national level as to what are the legal principles that national courts are to apply consistently across the 28 Member States when dealing with old problems which roost in the lofty heights of the so-called new technologies [which are not really so new any more]. This reference is Case C-291/13 PAPASAVVAS E.A, a reference from Cyprus. This case was swiftly posted here on the EU Law Radar weblog and, as readers can see, it's a reference relating to Directive 2000/31 -- the E-Commerce Directive.

The questions referred to the Court of Justice are as follows:
1. Bearing in mind that the laws of the Member States on defamation affect the capacity to provide information services by electronic means both at national level and within the European Union, might those laws be regarded as restrictions on the provision of information services for the purposes of applying Directive 2000/31?

2. If the answer to Question 1 is in the affirmative, do the provisions of Articles 12, 13 and 14 of Directive 2000/31, on the question of liability, apply to private civil matters, such as civil liability for defamation, or are they limited to civil liability in matters concerning business to consumer transactions?

3. Bearing in mind the purpose of Articles 12, 13 and 14 of Directive 2000/31 relating to the liability of information society service providers and the fact that, in many Member States, an action must exist in order for a prohibitory injunction to be granted which will remain in force pending full completion of the proceedings, do those articles create individual rights which may be pleaded as defences in law in a civil action for defamation, or must they operate as an obstacle in law to the bringing of such actions?

4. Do the definitions of 'information society service' and 'service provider' in Article 2 of Directive 2000/31 and Article 1(2) of Directive 98/34 [laying down a procedure for the provision of information in the field of technical standards and regulations and of rules on Information Society services], as amended by Directive 98/48, cover online information services the remuneration for which is provided not directly by the recipient, but indirectly by means of commercial advertisements posted on the website?

5. Bearing in mind the definition of 'information service provider', laid down in Article 2 of Directive 2000/31 and Article 1(2) of Directive 98/34, as amended by Directive 98/48, could the following, or any of them, be regarded as a 'mere conduit' or 'caching' or 'hosting' for the purposes of Articles 12, 13 and 14 of Directive 2000/31:

[or 5]

(a) a newspaper that operates a free website on which the online version of the printed newspaper, with all its articles and advertisements, is posted in pdf format or another similar electronic format;

(b) an online newspaper which is freely accessible but the provider obtains money from commercial advertisements posted on the website, where the information contained in the online newspaper comes from the newspaper's staff and/or freelance journalists; 
(c) a website which provides (a) or (b) above for a subscription?
Substitute 'copyright infringement' for 'defamation' and you have an interesting topic or two for discussion. If you want to tell the UK government what you think, and whether it should seek to make representations to the Court of Justice, just email policy@ipo.gov.uk by 25 July 2013.

Tuesday, 17 January 2012

Happy Birthday InfoSoc Directive


At the European Parliament in Brussels last Friday, Marielle Gallo, CRIDS and IVIR hosted a birthday celebration to mark ten years since the arrival of Directive 2001/EC/29 . A star-studded line-up, in true birthday speech tradition, revisited the Directive's past and pondered on its future.
The Directive's achivements to date were reviewed by Dr Lucie Guibault who identified gaps in community harmonization ( adaptation rights, moral rights) and regretted that the broad brush approach of optional limiutations for Member States had led to cherry picking and variance in the scope of limitations and exceptions by some States. Flexibility of limitations and exceptions were considered by Prof Martin Senfteleben, who expressed concern that mash-ups and UGC were not accommodated in the Directive.

Prof Lionel Bentley, a a presentation called "Harmonization by Stealth", demonstrated how the ECJ has, in cases such as the key Case C-5/08 Infopaq Int v Danske Dagblades Forening (2009) provided a definition of originality despite individual Member States having their own legislative or, (in the case of the UK) common law, definitions. What constitutes "a work", "a part" and "adaptation" have similarly been the subject of the ECJ's attention. Prof Bentley mischievously proposed that the ECJ had employed 5 techniques for their "stealth" tactics:
1. If in doubt all concepts are European
2. Dismissing Other Sources
3. Reliance on International Law
4. Systematic Interpretation and
5. Rewriting the Question.
One hopes Professor Bentley will publish a formal version of his very lively presentation.
US visitor, Prof Justin Hughes from Cardozo Law School in NY gave us a trans-Atlantic view of the birthday boy (or girl) -" largely uninterested" - and, in regard to the Berne 3-Step Test, reminded guests of the encouraging US Charming Betsy Doctrine whereby US national law should be interpreted so as not to conflict with international law.

Maria Martin-Pratt's outline of the EC DG Market Copyright Unit's agenda was followed by Prof Christopher Geiger from the Unibersity of Strasbourg. Prof Geiger led guests through the benefits of the Lisbon Treaty and the Charter of Fundamental Rights and the manner in which they confer a specific competency on the EU to creat a truly unified EU copyright law and, interestingly, by qualified majority of the Member States.

Harmonization was revisited by Prof Bernt Hugenholtz from the University of Amsterdam by reference to The Good (eg. an emergence of common principles), The Bad (costs of a complex legislative p[rocess, and slow responses to technological development) and The Ugly (lack of both transparency and formal academic or independent advice - the latter of which the WITTEM Project seeks to address). It was slightly alaming from the perspective of the English-speaking music catalogue to hear a lauding the advantages of the cultural subsidies in Continental Europe drawn from collecting societies' foreign revenues. These subsidies and the discriminatory pension payments which are enjoyed by composers and publishers in Continental Europe are largely funded by British and American creators' works - yet these same funders sadly enjoy none of the benefits.

It was left to Prof Severine Dusollier, from the University of Namur and the Director of CRIDS, to enchant with some truly creative ponderings about the purpose of copyright and, in a cleverly horticultural framework, pose some fresh models for all those locked in the "back to basics/new business models" debate.
All that remains is to ask whether the speakers will be developing their arguments and making them available more widely for the benfit of us all.