A few days ago the Court of Justice of
the European Union (CJEU) issued yet another judgment on the right of
communication to the public within Article 3(1) of the InfoSoc Directive: it
is Staatlich
genehmigte Gesellschaft der Autoren, Komponisten und Musikverleger registrierte
Genossenschaft mbH (AKM) v Zürs.net Betriebs GmbH, C-138/16.
In a reference for a preliminary ruling from the
Commercial Court of Vienna, the CJEU was asked to determine whether the transmission of broadcasts by “communal antenna installations” is
subject to the authorisation of the relevant rightholder in that it falls within the scope of
Article 3(1) of the InfoSoc Directive.
The 1709 Blog is delighted an analysis of the
decision by Professor Dirk Visser
(Leiden University), which has also been pubished on the Leiden Law Blog.
Here's what Professor Visser writes:
"Is
cable retransmission within the reception area of the original broadcast
copyright free?
In a ruling on 16
March 2017 the CJEU seems to answer this question in the affirmative. If this
is indeed the case, it constitutes a new ‘game changer’. It implies that there
would no longer be a need to pay for the cable retransmission of national
television programmes from for example the Dutch national public broadcaster
NPO and the commercial broadcasters RTL and SBS.
According to
the CJEU, there is no copyright-relevant ‘communication to the public’ in the
case of "simultaneous, full and unaltered transmission of programmes
broadcast by the national broadcasting corporation, by means of cables on
national territory […] provided that it is merely a technical means of
communication and was taken into account by the author of the work when the
latter authorised the original communication". In this case, according to
the Court, there is no ‘new public’, and therefore no copyright-relevant
communication which requires separate permission from the rightholders.
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| Prof Visser |
In the early
1980s, the Dutch Supreme Court (Hoge
Raad) ruled that in the case of cable retransmission within the
reception area, there is a ‘communication to the public’. The Dutch Supreme
Court decided that a ‘new public’ was not required; the only thing that
mattered was if there was another ‘organization’ involved, for example the operator
of a central antenna installation. Later, the copyright status of cable
retransmission was codified in a separate
EU Directive.
In recent
years the CJEU has introduced the ‘new public’ criterion again, but reframed
the criterion and explained that in most cases there is a ‘new public’. In
cases of cable retransmission or broadcasts in hotels, cafes, spas and
rehabilitation centres, there is always a ‘new public’ that was ’not taken into
account by the author of the work when the latter authorised the original
communication’.
Internet
retransmission of a TV signal within the reception area of the original
broadcast was, according to the Court, relevant to copyright anyway because
this was a different
transmission technology. Whether or not a new public is reached
would be irrelevant here.
But now
suddenly the CJEU has found that people in Austria who just watch the public
service channel via cable, have already been taken into account in the
satellite and terrestrial broadcast, and therefore no permission or payment is
required for this type of transmission. This is an understandable argument in
itself, but it is certainly contrary to what has been assumed in the
legislation and case law over the past twenty to thirty years. The ‘other
technique’ of cable retransmission is apparently irrelevant.
The CJEU decided in this case without the opinion of the Advocate-General in a small chamber, so maybe it is a slip. If not, this could be a real game changer in the area of audio-visual copyright."
The CJEU decided in this case without the opinion of the Advocate-General in a small chamber, so maybe it is a slip. If not, this could be a real game changer in the area of audio-visual copyright."

