Showing posts with label jack kirby. Show all posts
Showing posts with label jack kirby. Show all posts

Friday, 3 October 2014

The CopyKat - keeping the word

In the 1980s, when Brian Sheppard created his Maven computer program that played Scrabble, he typed in a lot of words - more than 100,000 of them, all from the Official Scrabble Players Dictionary (OSPD) and Merriam-Webster’s Collegiate Dictionary. Sheppard continued to update his software by hand until 1996, when a Scrabble player who helped assemble the third edition of the OSPD gave him the words via a digital file. Electronic word lists have circulated freely ever since. But maybe things are about to change. Hasbro Inc., which owns the rights to Scrabble in North America, is now seeking to license the use of word lists. Last year Merriam-Webster published a new, fifth edition of the OSPD and separately, Merriam-Webster published a third edition of the Official Tournament and Club Word List (The OWL), sold only to members of the North American Scrabble Players Association (NASPA) - and Hasbro claims the copyright on them: it recently  told NASPA that it had concerns about the revised word lists getting loose. It wanted to ensure that digital versions of the new OSPD and OWL were not freely downloadable from applications that contained them, as the current lists often have been. With competitive Scrabblers regarding Hasbro’s action as restricting - a battle is looming. More here on what might be a fascinating battle.


The U.S. 11th Circuit Court of Appeals has affirmed the award of fees for defence attorneys in an "objectively unreasonable" copyright action  - here brought by InDyne Inc., against  Abacus Technology Corporation.  The District Court in Florida had previously found that InDyne failed to present evidence sufficient for a reasonable jury to find that the copied portions of software were “original and thus deserving copyright protection.” - and indeed the Plaintiffs no longer possessed a copy of the software or even a clear software revision history. Indyne, Inc. v. Abacus Technology Corporation, Jerry Reninger, and Matthew Boylan, Case Number 14-11058, decided September 24, 2014. Echoes of Judge Richard Posner's criticism of the actions of the Conan Doyle Estate in the Sherlock Holmes litigation when he awarded costs $30,679 to defendant Leslie Klinger sprang to mind: Here Judge Posner in 7th Circuit appellate court said that the Doyle estate's business strategy was plain; "charge a modest fee for which there is no legal basis, in the hope that the 'rational' writer or publisher will pay it rather than incur a greater cost in challenging the legality of the demand.". Calling the model 'a form of extortion' Judge Posner said 'It's time the estate changed its business model' and complemented Klinger for performing a "public service" for fighting against a “disreputable” business practice and  further noted that the Estate, which had suggested in a letter to Mr. Klinger’s publisher that it might prevent the book from being sold at Amazon or Barnes & Noble unless a $5,000 use fee were paid, had been “playing with fire,” calling such an action a violation of antitrust law. More on Sherlock here and here.

Law.com has an interesting follow-up to the surprise settlement in the five-year-old legal battle between Marvel Comics and Jack Kirby’s heirs, noting that a major copyright issue remain unresolved. The children of the legendary artist filed 45 copyright-termination notices in September 2009, seeking to reclaim what they saw as their father’s stake in such Marvel characters as the Avengers, the X-Men, the Fantastic Four and the Incredible Hulk. Marvel, joined by its then-new parent company Disney, responded with a lawsuit, which ultimately saw the Second Circuit Court of Appeals affirm that Kirby’s contributions to the publisher between 1959 and 1963 were on a  “work for hire” basis and therefore not subject to copyright termination. A Supreme Court hearing was expected but the settlement means the grey area surrounding work for hire before 1978 remains, although experts say given that 56-year window — or 35 years for copyrights transferred after 1979 — it’s only a matter time before another case, more likely to involve a musician/songwriter than a comics artist, makes its way to the Supreme Court, requiring the Supreme Court justices to weigh in.


Straying into designs: Along with additions to the copyright exceptions for format shifting, quotation and parody, the Intellectual Property Act also became law on the 1st October in the UK, meaning it is now a crime to intentionally infringe on a registered design. The changes set out in The Intellectual Property Act have been introduced to reduce the scale of registered design infringement by acting as a deterrent. The changes also increase protection for the holders of registered designs and more effectively deter and punish perpetrators of blatant design infringement. The new Act also outlines that individual board directors can be held accountable for infringement. The Act means that intentionally infringing a registered design and producing a copy that differs from an original in only immaterial respects now becomes a criminal offence punishable by up to 10 years in prison.

And finally in the Philippines, the Court of Appeals has rejected a plea by car manufacturer Honda to copyright the design of one of it's engines, and has upheld the trial court’s decision to cancel the copyright registrations for Honda’s engine designs that had previously been granted by the National Library. Section 172 (h) of the Philippines Intellectual Property Code (IP Code) provides that copyright protection is available for literary and artistic works that include “original ornamental design or models for articles of manufacture, whether or not registrable as an industrial design, and other works of applied art.”  In reaching a decision, both the trial court and Court of Appeals relied on the Supreme Court's decision in Ching vs. Salinas (GR No. 161295, June 29, 2005), which explained that a useful article and industrial design may be copyrightable only if such design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of the utilitarian aspects of the article.  Here the Court of Appeals further explained that to be copyrightable the design must be capable of existing independently from the article itself, meaning that, at the very least, the design must be able to stand on its own in terms of decorative quality or value.  In this case, the Court of Appeals agreed with the trial court that the colour-coded components of Honda’s engine do not meet this two-part test, and could not be copyrightable.  They were neither artistic creations with incidental utilitarian functions or artistic works incorporated in a useful article.   Moreover, the specifications in the copyright applications merely describe the original or unique appearance of the engine, and such appearance cannot be equated to a decorative quality or artistic work.  The case is TLA Corporation, et al. vs. Honda Motor Company Ltd. and the National Library (CA-G.R. CV No. 98777, Aug. 5, 2014).

Friday, 9 August 2013

The CopyKat - transformed, trans-Pacific, topped up but not transferred

The National Music Publishers Association (NMPA) has filed a copyright infringement suit in the US against Fullscreen Inc., a Multi-Channel Network (MCN) operating on YouTube and largely comprised of independent artists playing cover songs - allegedly without proper licensing or paying royalties although Fullscreen also services over 10,000 YouTube channels, including those owned by NBCUniversal, Nintendo, and Lexus. According to a statement from the NMPA they are alleging that Fullscreen "directly profits from advertising revenue generated by unlicensed music videos on their channels, but does not compensate songwriters or publishers." YouTube's own 'blanket' licences seemingly do not extend to  the growing number of Multi-Channel Networks.

Transformative art and fair use are quite the hot dinner party topic now if recent US court decisions are anything to go by. Hot on the heels of a case looking at the transformation of photographs of Rastafarians. comes a new decision that will cheer all American Idiots.


Seltzer's Scream Icon
Green Day's video
The US 9th Circuit court of appeals has ruled that US punk band Green Day did not infringe copyright when they used an artist's drawing of a screaming face in a video backdrop. Referencing Cariou v Prince, the other recent case on transformative art  (for more, see Jeremy's blog here), the court ruled that the band had transformed the work of Los Angeles-based artist and illustrator Derek Seltzer and were protected by the doctrine of fair use. Seltzer launched his action in 2010, saying the band had used his drawing "Scream Icon” without permission: a poster of the image had been photographed  by Green Day’s set designer Richard Staub on a wall on Sunset Boulevard in 2008 and later incorporated image into a four-minute video backdrop for Green Day's song "East Jesus Nowhere", a song about religious hypocrisy but the court said the fact the image was altered by a red spray-painted cross meant the image had been sufficiently transformed to become fair use.  At trial, Judge Philip Gutierrez granted summary judgment for the band and also legal fees of $200,000 seemingly unimpressed with Seltzer's claim: whilst the ruling was upheld, the award of legal fees was overturned as the appellate court, with Judge Diarmuid O'Scannlain for the court saying he found the decision "close and difficult".

I wondered if I blogged from now on in unusual shapes (my attempt at shapes above) the CopyKat could also fall under 'fair use' even when disgracefully copying other's efforts. Well, a slightly daft idea - but why not voice your opinion in our poll on the sidebar where the 1709 and the IPKat blogs are asking "Do you think that the US fair use defence really makes a difference in terms of user freedoms?".

Michael Geist blogs that the "U.S. Copyright Lobby Takes Aim at Canadian Copyright Term Through Trans-Pacific Partnership" saying that the U.S. copyright lobby, led by the International Intellectual Property Alliance, "appeared last week before a U.S. Congressional Committee hearing on the Trans-Pacific Partnership and made it clear that it wants the U.S. to use the trade agreement to force Canada to extend the term of copyright.  Canadian copyright law is currently at life of the author plus 50 years, which meets the international standard found in the Berne Convention. The U.S. extended its copyright term years ago to life of the author plus 70 years under pressure from the Disney Corporation (Mickey Mouse was headed to the public domain) and has since pushed other countries to do the same". More from Professor Geist on this here.


Despite a $10 million copyright and trademark suit, a new movie about the early life of the Deep Throat actress Linda Lovelace will hit movie theatres. Arrow Productions claims that The Weinstien Company distributed Lovelace uses 5 minutes of uncleared footage from from their Deep Throat film and benefits from the use of the name 'Linda Lovelace' which it has trademarked.  US District Judge Thomas Griesa rejected Arrow's request for a temporary injunction to stop the August 9th release, but the defendants, The Weinstein Company, Radius, Millennium Films, Nu Image, Inc., Animus Films, Untitled Entertainment, Inc., Eclectic Pictures, Inc., Avi Lerner and Laura Rister, still face a $10 million damages claim from the copyright owners. Amanda Seyfried stars in the new biopic and on the news that the injunction was nor granted the film's producers said that they "couldn’t be more pleased the world will finally get a chance to see Linda’s real story unfold on screen in Lovelace. Never again will she be silenced by the producers and distributors of Deep Throat”.

puuuuuurfect
Russia's new anti-piracy legislation, launched to combat 'high value' online piracy of movies and TV shows, is being amended to include music, photos and other images as well as text-based material. The Ministry of Culture says it will now begin changing the legislation.
and as well as including a wider range of creative content, the amendments will mean that site owners will be required by law to display their 'real-world' addresses alongside their email addresses on their websites in order to speed up correspondence and a streamlined system for complaints - or face being blocked.

Don't forget to vote!
The British Copyright Council has appointed a new Independent Code Reviewer. Walter Merricks CBE, formerly the Chief Financial Ombudsman, was appointed by a selection panel chosen to represent the interests of both rights holders and copyright users. Mr Merricks will conduct a review of the BCC's 'Principles of Collective Management Organisations' Codes of Conduct' following the first full year of implementation, to ensure that it remains fit for purpose. The BCC developed its Principles policy document to establish a framework of good practice for Collective Management Organisations (CMOs) and a set of minimum terms to be used as the basis for CMOs individual Codes of Conduct. Fourteen CMOs have now adopted these guidelines. The review will also reference the Government's October 2012 benchmark recommendations 'Minimum Standards for UK Collecting Societies'. Founded in 1965 and incorporated in 2007, the British Copyright Council is a not-for-profit organisation that provides a forum for discussion of copyright law and related issues at UK, European and International levels. 

RT reports that the Swedish Pirate Party has celebrated the 10th anniversary of the Pirate Bay torrent website by reporting the country’s publicly anti-piracy IT minister, Anna-Karin Hatt, to the Swedish Police for infringing copyright on several occasions. The party has been following Hatt’s account on Instagram, where it alleges that the politician is anything but innocent when it comes to respecting the legislation which she claims to so strongly support: It seems Karin-Hatt posted copyrighted Calvin and Hobbes cartoons as well as artwork for several movies, including The Lord of the Rings, The Da Vinci Code, and Monty Python and the Holy Grail - well that's according to a blog by the Pirate Party’s legislative spokesman, Torbjörn Wester.

The Hulk, Thor, Captain America and Iron Man
And finally, the 2nd U.S. Circuit Court of Appeals has upheld the decision by District Judge Colleen McMahon who in July 2011 ruled for Marvel in a dispute with the heirs of comic book artist Jack Kirby, finding artwork and characters he had drawn constituted works for hire under the Copyright Act of 1909.and that the family have no rights to characters such as the Hulk and Fantastic Four. These are owned by Marvel Entertainment, a Walt Disney Co subsidiary. Walt Disney bought Marvel for $4 billion in 2009. "Iron Man 3," the latest Marvel movie based on a character Kirby helped create, has grossed $1.2 billion worldwide. Kirby's other creations include Thor and Captain America (Marvel Characters, Inc. v. Kirby, 2nd U.S. Circuit Court of Appeals, No. 11-3333).