Showing posts with label ringtones. Show all posts
Showing posts with label ringtones. Show all posts

Wednesday, 14 November 2012

Mobile phone ringtone downloads cause $15 million claim

The four main Canadian mobile phone providers, Rogers, Telus, Bell and Quebecor have filed a claim against the Society of Composers, Authors and Music Publishers of Canada (SOCAN) in which they have asked for restitution of CA$ 15 million as well as special damages. The mobile phone providers are claiming that fees paid to SOCAN in respect of mobile phone ringtone downloads should be reimbursed to them.

The ringtones had been subject to tariffs certified by the Copyright Board and upheld by the Federal Court of Appeal however the mobile phone providers are relying on the Canadian Supreme Court decision of 12 July 2012 in Entertainment Software Association v. SOCAN to argue that the Copyright Board did not have jurisdiction to certify the tariffs.

In ESA v SOCAN the Supreme Court found that downloading a video game does not constitute a communication to the public under s.3(1)(f) of the Canadian Copyright Act. In this case ESA represented a coalition of video game publishers and distributors who enabled customers to download copies of video games as an alternative to buying physical copies of the games in shops. It was key in this case that ESA had already paid royalties in respect of the video games, therefore the Supreme Court held that download of the game should not attract additional fees as this would violate the principle of technological neutrality. Therefore downloading the game was not a communication to the public.

Of course the last sentence of the above paragraph does not necessarily flow from the principle of technological neutrality that the Supreme Court was seeking to implement, and to say that a download does not constitute communication to the public has much broader implications. It is not clear from the statement of claim whether the mobile phone providers have already paid royalties in respect of the ringtones in a different format and therefore are seeking to apply the principle of technological neutrality affirmed by the Supreme Court, or whether they simply want to rely on the Supreme Court's finding that downloads do not constitute communications to the public to exempt them from paying royalties at all.

Either way, the Canadian mobile phone providers are asking for their money back as well as a declaration that that the transmission of a ringtone is not a communication to the public by telecommunication.

As an aside, in Europe the term communication to the public (used at Article 3 of the InfoSoc Directive) has also been much discussed. Most recently, the CJEU has held in UsedSoft v Oracle that in the EU download of a computer program is a distribution rather than a communication to the public for the purposes of Article 3 (see here for a report of the judgment). The CJEU limited its decision to software licensing, so the principle doesn't automatically extend to other content distributed over the internet, however it gives a good indication of how the CJEU might address the question of downloads in general.

The main similarity between the decisions of the Canadian Supreme Court and the CJEU is the feeling that users should not be penalised because they choose to download content rather than buying it on the high street. With that in mind, if the Canadian mobile phone providers are looking to benefit from not paying royalties at all they may find that they have an uphill battle on their hands.

Thursday, 11 March 2010

Floyd in the Pink, EMI in the Dark

In "Pink Floyd score victory for the concept album in court battle over ringtones", The Guardian reports on the victory of iconic British rock group Pink Floyd (The Wall, Dark Side of the Moon etc) over recording company EMI, which has been told by a court today that it can no longer license songs from any Pink Floyd concept albums as single downloads or mobile phone ringtones. Says the report:
"... the high court chancellor, Sir Andrew Morritt, said the label must adhere to a clause in its contract with the group intended to "preserve the artistic integrity of the albums" which prevented the unbundling of Pink Floyd's records.

Pink Floyd became one of the biggest rock bands in history with their elaborate and experimental concept albums and highly theatrical live tours. EMI had argued that its deal with the band, reaffirmed in 1999 before the download market took off, related to physical CDs and DVDs but not to online distribution.

Pink Floyd alleged, and EMI agreed, that the label had allowed online downloads from the albums and allowed parts of tracks to be used as ringtones despite the clause which "expressly prohibits" EMI from selling songs out of context.

The judge granted the band the declaration ... that the contract means EMI is not entitled to exploit recordings by online distribution or by any other means other than the complete original album without Pink Floyd's consent. ...

The verdict means the band's music may now have to be taken down from the iTunes online music store which requires that album tracks are for sale individually. ..

Yesterday's verdict is thought to be the first time a band have successfully taken their record label to court over the way it has distributed their music online [Offhand I can't recall any other cases in Europe where this has happened. I don't know about the US or elsewhere though. Can readers give chapter and verse of any comparable litigation?]. It could lead to other cases, music industry analysts believe.

Robert Howe QC, representing Pink Floyd, argued that it would have been "a very odd result" if members of Pink Floyd were able to control exactly how their music was sold as a physical product but there was "a free-for-all with no limitation on online distribution". Elizabeth Jones QC, appearing for EMI, disagreed and said the word record "plainly applies to the physical thing - there is nothing to suggest it applies to online distribution"".
I've taken a quick peep at the BAILII website and can't find this decision among the Chancery cases yet. It will be interesting to see if any moral rights issues are raised as well as the contract issues. It would be even more interesting to see how much of Ummagumma could be turned into ringtones ...