|Beyonce by Denis O'Regan|
YouTube claims to have paid more than $2bn to music rights-holders in the past few years. The news broke in a comment given by the service as it announced a global licensing agreement with Kobalt-owned collection society AMRA. Music Business Worldwide have done an interesting comparison with two other leading streaming platforms - Spotify and Vevo - saying the figure for YouTube works out very roughly, at $50m being paid by YouTube to music rightsholders a month. But based on recent figures, Spotify’s payouts to rights-holders would have been $142m per month and in a very rough (and now slightly outdated) monthly payment from Vevo to music rightsholders of $12.5m. Which rightsholders were paid is another very interesting question. YouTube has asked video content rightsholders (here we presume record labels) to sign a new licensing deal, covering both YouTube Red and its traditional ad-supported version of the platform. This contract stipulates, amongst other things, that rights-holders will receive 55% of net revenues from video and display advertising.
After sending thousands of settlement demands to alleged pirates since last summer, a law firm in Finland, Hedman Partners, is making good on its threats to sue. After initially being asked to pay between 600 and 3000 euros per offence, those targeted by the lawfirm now face demands of up to 10,000 euros plus court costs. Hedman Partners acts on behalf of a number of film, adult content and TV companies and has, perhaps unsurprisingly but perhaps unfairly, been labelled a 'copyright troll'.
In our last CopyKat we noted that Aerosmith lead singer Steven Tyler had become the third musician to hit Republican presidential candidate Donald Trump with a cease-and-desist letter for his use of music on the campaign trail. joining R.E.M. bassist Mike Mills and Neil Young, who both asked Trump to stop using their music. The Republicans have a long history of using songs they fit their political agenda without permission, and Law Street provide a useful analysis of both the annoyed musicians and the legal context here.
Over 50 websites have been blocked by internet service providers in Portugal as a result of a voluntary agreement reached between government, the entertainment industry and the net sector's trade body, the Association Of Telecommunication Operators. In the Ukraine, legislation is being planned to introduce web-blocking laws alongside new financial penalties for companies who do not comply with anti-piracy efforts.
CISAC, the global umbrella for collection societies has announced full year figures for 2014 from collections for songs - music, lyrics and compositions: collections were up 2.8% on 2013 - a 5% increase had exchange rates not changed - to 7.9 billion euros. Songs account for 87% of collected monies, and that income was up 2.4% year-on-year. Mechanical rights income, primarily from the sale of CDs and downloads, was down 9% year-on-year, but performing rights revenues were up 3.8% (streams are usually classified as exploiting both mechanical and performing rights). Societies in Europe accounted for 61.3% of collected revenue, while North America accounted for nearly 17%. The five BRICS emerging markets accounted for 5% of the monies collected.