A few months ago the Court of Justice of the European Union ('CJEU') issued its decision in Allposters [Katposts here; 1709 Blog posts here].
Article 4(2) of the InfoSoc Directive directive provides that the authorised first sale of a work within the territory of the EU exhausts the right of the copyright owner to control any subsequent distribution of the work in question.
What the CJEU had been asked to clarify in Allposters was whether this rule also applies to works that, following their authorised first sale, are subject to an alteration of their mediums and are then re-marketed in this new form.
The court referred to both Recital 28 in the preamble to the InfoSoc Directive and Article 6 of the WIPO Copyright Treaty, including the Agreed Statement on Articles 6 and 7, to hold the view that exhaustion of the right of distribution only applies to the tangible copy of a work.
In so doing, albeit rooted within a very specific (analogue) background, the CJEU appeared to rule out any possibility of having digital exhaustion under the InfoSoc Directive.
Whether EU law allows digital exhaustion arguably remains however an unresolved issue, with diverging interpretations being provided at the level of national courts. Yet, despite the legal and economic relevance of allowing markets for second-hand digital works, current EU copyright reform plans seem regrettably not to include any consideration of issues facing general digital exhaustion, or its lack thereof.
If you are interested in this case and its implications, I have just completed an article [available here] which will be published in the Journal of Intellectual Property Law & Practice in due course.
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