Silly season: in our 16th August CopyKat we commented on the latest revelations on Prenda Law troll saga - and the TorrentFreak report that "evidence is stacking up that Prenda Law has been operating a honeypot in order to lure Internet users into downloading copyrighted material. The report highlighted that a subpoena returned by Comcast confirmed that a Pirate Bay user called “Sharkmp4″ is directly linked to the infamous anti-piracy law firm via Steel Hansmeier boss John Steele. TorrentFreak reproduced Comcast's response BUT - TorrenFreak then faced "a series of escalating legal threats" from Comcast's agents Cyveillance asserting copyright over the document. Thankfully sanity has seemingly broken out, with Cory Doctorow over on BoingBoing, who also covered the story, receiving an email from Comcast's Senior Director of Corporate Communications, Jenni Moyer, saying "I saw your post and wanted to let you know this notice was sent in error, and we have advised TorrentFreak to disregard it. We apologize for any confusion. Will you update your post with this information? Thanks.". All's well that ends well ....... hopefully!
A Chinese court has ordered Sohu.com, one of China's biggest Internet portals, to compensate the writer of romantic mobile phone messages for lost income after the Sohu sold his love notes without paying him his lawyer has revealed. The Shanghai No. 2 Intermediate Court ruled that Sohu must pay writer Fu Zhanbei 100,000 yuan (approx US$13,000) for selling his work without permission and ordered the company to issue a public apology, his lawyer Wang Zhan said.
The California Copyright Conference has been tackling the thorny issue of the proposed settlement between the NMPA (National Music Publishers Assn.) and the major record labels which will provide the labels with the opportunity to pay publishers possibly hundreds of millions owed for unpaid “pending and unmatched” copyright royalties and avoid 1.5% per month late fees that would otherwise apply. It seems many panellists and audience members questioned the deal including - and in particular whether a plan to distribute up to $174 million on a market share basis is fair to independent publishers - as well as questioning why there was an onus on artists for clearing up contractual problems - and the ongoing role of the huge US broadcast industry in extensive lobbying avoiding the implementation of legislation to make them pay to use sound recordings on their radio stations. More in the Conference Report here .
Lawrence Lessig has filed a federal complaint after YouTube forced the Harvard University law professor and Creative Commons co-founder to take down a video of a lecture that featured people dancing to a copyrighted song. Supported by the Electronic Frontier Foundation (EFF), Lessig said: “The rise of extremist enforcement tactics makes it increasingly difficult for creators to use the freedoms copyright law gives them. I have the opportunity, with the help of EFF, to challenge this particular attack. I am hopeful the precedent this case will set will help others avoid such a need to fight.” The complaint stems from a 2010 lecture Lessig delivered in South Korea on cultural and technological innovation. He presented clips of user-generated videos showing people dancing to Phoenix’s single “Lisztomania” which was a popular meme at the time started by user “Avoidant Consumer,” who combined scenes of people dancing from several movies with the song playing in the background. The video went live last June but complaints from Viacom and Australian-based music publisher Liberation Music via the Digital Millennium Copyright Act prompted YouTube to remove Lessig’s lecture twice. Lessig filed a complaint disputing Viacom’s action to block the video on YouTube and had the video restored on June 30th. That same day, Liberation Music filed a complaint to YouTube, and the video-streaming platform informed Lessig that it had again removed his lecture video. Lessig made another complaint to YouTube, but on July 8th, Liberation Music threatened to sue him if he did not retract his complaint, which he eventually did but it seems now fair use is (at least) in play and Lessig's lawsuit runs through the checklist of fair use, making a case for why his lecture falls under that distinction: he used a small proportion of the song, his lecture doesn't compete with the market for the song in any way, and the lecture is an entirely new creation. Phoenix wanted its song to entertain and make money; Lessig's lecture was educational, and neither he nor Creative Commons, the sponsor, made any profit.
|Moraine Lake, Alberta: "No, tar"|
And finally: further to our last CopyKat posting, Billboard have reported that Robin Thicke allegedly offered a substantial six figure dollar payout to the family of Marvin Gaye even though he has since filed a lawsuit claiming his song 'Blurred Lines' is not copied from a tune by the late soul singer.
Excuse me, but didn't David Carson leave the Copyright Office for IFPI? Just for the record.
Anyone who joins the IFPI is bound to do so for the record, or the phonogram as I prefer to call it
Indeed - almost exactly a year ago on the 29th August 2012 I posted a short blog on David's impending move. My apologiesm but it was worth it for the comments!
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